Appendix F. Film Company of Ireland filmography
Puck Fair Romance (1916, dir. J. M. Kerrigan) Woman’s Wit (1916, dir. J. M. Kerrigan) Widow Malone (1916, dir. J. M. Kerrigan) The Miser’s Gift (1916, dir. J. M. Kerrigan)…
Puck Fair Romance (1916, dir. J. M. Kerrigan) Woman’s Wit (1916, dir. J. M. Kerrigan) Widow Malone (1916, dir. J. M. Kerrigan) The Miser’s Gift (1916, dir. J. M. Kerrigan)…
Historical “understanding” is to be grasped, in principle, as the afterlife of that which is understood.(Walter Benjamin)[1] The Exiles (Kent Mackenzie, 1961) is a film that virtually disappeared for fifty…
Robert Brent Toplin, History By Hollywood (2nd ed). Urbana: University of Illinois Press, 2010 ISBN: 978-0-252-07689-3 (US)$25.00 (pb) 280pp (Review copy supplied by University of Illinois Press) When the first…
Wharton Releasing Corporation Records, ca. 1916–1923, Division of Rare and Manuscripts Collections, Cornell University Library. #3924 Box 1. Courtesy of the Division of Rare and Manuscript Collections, Cornell University Library.…
The death of cinema was the subject of intense theoretical concern in the final years of the twentieth century and beyond. The impending approach of the millennium as well as…
The small but accelerating output of Terrence Malick has largely been approached via its visual poetry. Balancing this, each film has also brought a distinctive soundtrack, in particular the extended…
Thomas Elsaesser and Malte Hagener, Film Theory: An Introduction through the Senses Routledge, 2010 ISBN: 978-0-415-80101-0 US$39.95 (pb) 226pp (Review copy supplied by Routledge) Any publication with Thomas Elsaesser’s name…
The marked increase in the popularity of the ensemble film in recent decades can be understood to be a product of the form’s potential to present and reflect upon the…
Murray Pomerance, Michelangelo Red Antonioni Blue: Eight Reflections on Cinema Berkeley: University of California Press, 2011 ISBN 978-0520266865 300pp US$29.95 (pb) (Review copy supplied by University of California Press) Writing…
The Federal Minister for Customs and Excise, Don Chipp, introduced the ‘R’ certificate for films in Australia in 1971. As is well known, Chipp’s decision was a key landmark in…
This text was first written in 1980, when I was 20 years old. I had already been published in magazines including Cinema Papers, Metro and Buff over the preceding year.…
Every shot is independent of those that together with it make up the film. A film is a collection of independent shots. When we see a film of four hundred…
Caroline Frick, Saving Cinema: The Politics of Preservation New York, Oxford University Press, 2011 ISBN13: 9780195368116 US$27.95 (pb) 232pp (Review copy supplied by Oxford University Press) Compared to the vast…
In my own city I am but a consumer. I work hard at my designated task, which is to document a personal history of my purchases and stock-take carefully for…
I think the best way to look at these programs is to enter into the image without a single name or reference in your head. The less you know, the…
In 1983, a long way before Leos Carax fixed on Herman Melville’s novel Pierre ou les ambiguïtés (as he knew it) for a film and TV project, I considered writing…
M. Keith Booker, Historical Dictionary of American Cinema Lanham, MD: The Scarecrow Press, Inc., 2011 ISBN: 978 0 8108 7192 2 US$85.00 (hb) 477pp (Review copy supplied by The Scarecrow…
Introduction: I commissioned this text as part of a thirty-minute audiovisual piece titled Poetics of Pop, presented at the Clifton Hill Community Music Centre on 6 October 1982: a combination…
On 7 August 1974 at seven a.m. Philippe Petit crossed the twin towers of New York’s World Trade Center. Suspended on his high-wire, Petit balanced in the gap between the…
Marlisa Santos, The Dark Mirror: Psychiatry and Film Noir Lexington Books, 2011 ISBN13: 978-0-7391-3666-9 US$27.95 (pb) 171pp (Review copy supplied by Lexington Books) The Dark Mirror offers readers an in-depth…
Kent L. Brintnall, Ecce Homo: The Male-Body-In-Pain as Redemptive Figure Chicago, IL: The University of Chicago Press, 2011 ISBN: 9 780 226074702 US$32.50 (pb). 256pp (Review copy supplied by The…
Keith Beattie, D.A Pennebaker University of Illinois Press, 2011 ISBN: 978-0-252-07829-3 US$25,00 (pb) 192pp (Review copy supplied by University of Illinois Press) The image on the front cover of an…
I wish to thank all the contributors for their enthusiasm for this project. Maryanne Felter, Dan Schultz, Gary D. Rhodes, and Denis Condon also kindly shared information and primary materials.…
Mention the name Kim Ki-duk, the South Korean auteur, to contemporary cinephiles and one is likely to receive one of two responses.[1] On the one side, a panoply of pejoratives…
Murray Forman, One Night on TV is Worth Weeks at the Paramount: Popular Music on Early Television Duke University Press: Durham & London, 2012 ISBN: 978-082235011-8 US$27.95 (pb) 424pp (Review…
Alex Ling, Badiou and Cinema Edinburgh University Press, 2011 ISBN: 9 780 7486411 30 UK£65.00 (hb) (Review copy supplied by Edinburgh University Press) Modern philosophy has experienced two major changes…
Paul Grainge (ed.), Ephemeral Media: Transitory Screen Culture from Television to YouTube British Film Institute, Palgrave Macmillan 2011 ISBN: 978184457434 US$24.95 (pb) 248pp (Review copy supplied by Palgrave Macmillan) Collected…
Olivier Assayas, A Post-May Adolescence: A letter to Alice Debord (Translated and annotated by Adrian Martin and Rachel Zerner) Vienna: Austrian Film Museum publishers, 2012 ISBN: 978-3-901644-44-3 Euro: 14,00 (pb)…
The press kit issued by Universal for Gus Van Sant’s controversial 1998 remake of Alfred Hitchcock’s Psycho (USA 1960) points out that, “like many film-watchers of his generation, Van Sant…
Steve F. Anderson, Technologies of History: Visual Media and the Eccentricity of the Past Hanover, New Hampshire: Dartmouth College Press, 2011. ISBN: 9 781611680 034 US$35 (pb) 210pp (Review copy…
Sir Christopher Frayling, Sergio Leone Something To Do With Death (reprint edition) University of Minnesota Press, 2012 ISBN: 978-0-8166-4683-8 US $24.95 (pb) 592pp (Review copy supplied by University of Minnesota…
"Cinema is the art of playing with time.” (Alain Resnais)[1] “If art never ceases intersecting love, it is in the encounter, in the pure event, that it is finally grasped.”…
James Walters, Fantasy Film: A Critical Introduction Berg publishers, 2011 ISBN: 978-1-84788-308-7 US$29.95 (pb) 153pp (Review copy supplied by Berg publishers) Fantasy Film is a book written in the light…
In 2006, B. Ruby Rich’s editorial for a special “documentary studies” issue of Cinema Journal observed that the “landscape for documentary production, history, and theory is richer than it has…
May Adadol Ingawanij and Benjamin McKay (eds.), Glimpses of Freedom: Independent Cinema in Southeast Asia. Cornell Southeast Asia Program Publications, Ithaca, New York, 2012 ISBN: 978-0-87727-755-2 US$23.50 (pb) 239 pp…
Murray Pomerance and R. Barton Palmer, A Little Solitaire: John Frankenheimer and American Film New Brunswick: Rutgers University Press, 2011 ISBN: 978-0-8135-5060-2 US$27.95(pb) 312pp (Review copy supplied by Rutgers University…
Waltz with Bashir (Israel 2008) concerns itself with time on a number of formal and thematic levels, from its investigation of history to the use of animation to allow the…
Philip C. Logan, Humphrey Jennings and British Documentary Film: A Re-Assessment Surrey, UK: Ashgate Publishing Limited, 2011 ISBN: 978-0-7546-6726-1 £70.00 (hb) 375 pp (Review copy supplied by Ashgate publishers) This…
Keith M. Johnston, Science Fiction Film: A Critical Introduction Berg Publishers, 2012 ISBN: 978-1-84788-476-3 US$29.95 (pb) 197pp (Review copy supplied by Bloomsbury Publishing) Keith M. Johnston’s Science Fiction Film: A…
Laurie N. Ede, British Film Design: A History London: I.B. Tauris, 2010 ISBN-13: 978-1848851085 £15.99 (pb) 248pp (Review copy supplied by I.B. Tauris) A Himalayan convent created in mountainous Pinewood;…
Martha Ansara, The Shadowcatchers: a history of cinematography in Australia Austcine Publishing, Sydney 2012 ISBN: 9780987225214 Au$66.00 (pb) 288pp http://www.shadowcatchers.com.au/ (Review copy supplied by Australian cinematographers society) Cinematography captures images,…
Joshua Yumibe, Moving Color: Early Film, Mass Culture, Modernism Rutgers University Press, New York, 2012. ISBN: 978-081355 2972 US$29.95(pb) 230pp (Review copy supplied by Rutgers University Press) Joshua Yumibe’s Moving…
Lucy Mazdon and Catherine Wheatley (eds.), Je t’aime...moi non plus: Franco-British cinematic relations New York and Oxford: Berghahn Books, 2010 ISBN 978-1-84545-749-5 US$95.00 (hb) 289pp (Review copy supplied by Berghahn…
Robert Sinnerbrink, New Philosophies of Film: Thinking Images Continuum, 2012 ISBN: 978-144115343-2 US$36.99 (pb) 264pp (Review copy supplied by Bloomsbury Publishing) Robert Sinnerbrink's New Philosophies of Film is an introduction…
John Markert, Post - 9/11 Cinema: Through a Lens Darkly The Scarecrow Press, Inc, 2011 ISBN: 978-0-8108-8134-1 US$59.95 (hb) 392pp (Review copy supplied by The Scarecrow Press) Should we expect…
Bernard Eisenschitz, Nicholas Ray: An American Journey. (Tr. by Tom Milne.) University of Minnesota Press, 2011 ISBN 978-0-8166-7621-7 US $24.95 (pb) 624pp (Review copy supplied by University of Minnesota Press)…
David Martin-Jones Deleuze and World Cinemas London: New York; Continuum, 2011 ISBN: 9780826436429 US$34.95 (pb) 288pp (Review copy supplied by Continuum publishers) The reception of Deleuze’s Cinéma books in academia…
Karl Schoonover, The Neorealist body in Postwar Italian cinema University of Minnesota Press, 2012 ISBN-13: 978-0816675555 US$25 (pb) 328pp (Review copy supplied by University of Minnesota Press) The scholarship on Italian…
Gaetano Rando and Gino Moliterno, Celluloid Immigrant: Italian Australian Filmmaker Giorgio Mangiamele (The Moving Image Number 10, 2011) St.Kilda: ATOM and The National Film and Sound Archive, 2011. ISBN: ISBN:…
Robert J. Corber, Cold War Femme: Lesbianism, National Identity, and Hollywood Cinema Duke University Press, 2011 ISBN 978-0-8223-4947-1 US$23.95(pb) 225pp (Review copy supplied by Duke University Press) Cold War Femme…
Kent Jones (ed.), Olivier Assayas Austrian Film Museum, 2012 ISBN: 978-3-901644-436 US$30.00 (pb) 256pp (Review copy supplied by the Austrian Film Museum) In the chapter on L’Heure d’été (Summer Hours,…
Sean O’Sullivan, Mike Leigh Urbana: University of Illinois Press, 2011 ISBN: 978-0-252-07819-4 US$22.00 (pb) 208pp (Review copy supplied by University of Illinois Press) Not many films that run for 129…
Dan Callahan, The Miracle Woman Jackson: University Press of Mississippi, 2012 ISBN13: 978-1617031830 US$35 (hb) 272pp In one of her more direct moments, Barbara Stanwyck has said, “Acting is as…
Leger Grindon, Knockout: The Boxer and Boxing in American Cinema University Press of Mississippi, Jackson, 2011 ISBN: 978-1-60473-988-6 324 pp US$55.00 (hb) (Review copy supplied by University Press of Mississippi)…
Jane Mills, Jedda Currency Press, 2012 ISBN: 9780-86819-920-7 Au$16.95 (pb) 89pp (Review copy supplied by Currency Press) This ‘little book’ Jedda contains big ideas, conflicting ideas, ideas from the past…
Felicity Colman, Deleuze and Cinema: The Film Concepts Oxford; New York: Berg, 2011 ISBN: 978-1-84788-053-6 US$29.95 (pb) 280pp (Review copy supplied by Berg) Felicity Colman’s Deleuze and Cinema: The Film…
Adrienne Munich(ed.) Fashion in Film Indiana University Press, 2011 ISBN: 978-0-253-22299-2 US$27.95(pb) 376pp (Review copy supplied by Indiana University Press) This is a joyful discovery: Fashion in Film, edited by…
Marcelline Block (ed.), World Film Locations: Paris London: Intellect, 2012 ISBN: 9781841505619 US$19.00 (pb) 128pp (Review copy supplied by Intellect) As Keith Reader explains in the opening essay to Intellect’s…
In the closing moments of King Vidor’s Stella Dallas (1937), Stella/Barbara Stanwyck becomes a spectator to a scene predicated on her absence, a scene she has nevertheless made possible. The…
Sylvia Shin Huey Chong, The Oriental Obscene: Violence and Racial Fantasies in the Vietnam Era Durham and London: Duke University Press, 2012 ISBN: 978-0-8223-4854-2 US$26.95 (pb) 364pp (Review copy supplied…
Michele Pierson, David E. James, Paul Arthur (eds.), Optic Antics: The Cinema of Ken Jacobs Oxford & New York: Oxford University Press, 2011 ISBN-13: 978-0195384987 US$39.95 (pb) 312pp (Review copy…
David Bordwell & Kristin Thompson, Minding Movies: Observations on the art, craft, and business of filmmaking Chicago: University of Chicago Press, 2011 ISBN: 9 780226066 998 US$22.50 (pb) 312pp (Review…
Paola Voci, China on Video: Smaller-screen realities New York: Routledge, 2010 ISBN: 978-0-415-46452-9 US$140 (hb) 259pp (Review copy supplied by Routledge) Twelve years into the 21st Century, most members of…
Raymond Foery, Alfred Hitchcock’s Frenzy: The Last Masterpiece. Maryland and Plymouth: Scarecrow Press, Inc. ISBN 9780810877559 US $40.00 (hb) 187pp (Review copy supplied by Scarecrow Press) Alfred Hitchcock returned to…
Steven Rybin, Terrence Malick and the Thought of Film Lanham, Maryland: Lexington Books, 2012. ISBN 978-0-7391-6675-8 US$65 (hb) 236pp (Review copy supplied by Lexington books) For a filmmaker renowned for…
A Review Essay on Chris Dumas, Un-American Psycho: Brian De Palma and the Political Invisible (London: Intellect, 2012) [I]t’s not really a book about De Palma, it’s a book about…
Bill Nichols & Michael Renov (eds.), Cinema’s Alchemist: The Films of Péter Forgács Minneapolis, MN: University of Minnesota Press, 2011 ISBN: 0816648751 $US27.00 (pb) 320 pp (Review copy supplied by…
Claire Perkins and Constantine Verevis (eds.),. Film Trilogies: New Critical Approaches Palgrave MacMillan, 2012 ISBN: 978-0-230-25031-4 US$80(hb) 264pp (Review copy supplied by Palgrave Macmillan) At a time when franchise films…
Gabriel Solomons (ed), World Film Locations: Los Angeles London: Intellect Books, 2011, ISBN-978-1-84150-485-8 US$18 (pb), 128ppNeil Mitchell (ed), World Film Locations: London London: Intellect Books, 2011, ISBN-978-1-84150-484-1 US$18 (pb), 136pp(Review…
Ramon Lobato, Shadow Economies of Cinema: Mapping Informal Film Distribution London: British Film Institute/Palgrave Macmillan, 2012 ISBN: 978-1-84457-411-7 US$85 (hb) 176pp (Review copy supplied by Palgrave Macmillan) Ramon Lobato opens…
Vicki Mayer, Below the Line: Producers and Production Studies in the New Television Economy Durham and London: Duke University Press, 2011 ISBN: 978-0-8223-5007-1 US$22.95(pb) 242pp (Review copy supplied by Duke…
Miriam Bratu Hansen, Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and Theodore Adorno University of California Press, 2012 ISBN: 978-05202656-08 US$29.95(pb) 408pp (Review copy supplied by University of California Press)…
J. P Telotte & Gerald Duchovnay (eds.), Science Fiction Film, Television, and Adaptation: Across the Screens New York and Oxon: Routledge, 2011 ISBN13: 978-0-415-88719-9 US$125.00 (hb) 212pp (Review copy supplied…
Kyung Hyun Kim, Virtual Hallyu: Korean Cinema of the Global Era Durham & London: Duke University Press, 2011 ISBN978-0-8223-5101-6 US$24.95(pb) 256pp (Review copy supplied by Duke University Press) Kyung Hyun…
Martin Botha, South African Cinema 1896-2010 Bristol: Intellect, 2012 ISBN: 978-1-84150-458-2 US$50.00 (pb) 307pp (Review copy supplied by Intellect) “Taking an inclusive approach to South African film history, this volume…
Wayne Koestenbaum, The Anatomy of Harpo Marx Berkeley: University of California Press, 2012. ISBN: 9780520269019 US$29.95 (pb) 336pp (Review copy supplied by University of California Press) This is an eccentric,…
Justus Nieland, David Lynch University of Illinois Press, Chicago, 2012 ISBN: 978-0-252-07851-4 US$22.00 (pb) 194 pp (Review copy supplied by University of Illinois Press) The films of David Lynch have…
Matthew Solomon (ed.), Fantastic Voyages of the Cinematic Imagination: George Méliès’s Trip to the Moon Albany: SUNY Press, 2011 ISBN: 978-1-4384-3580-0 $29.95 (pb) 271pp (Review copy supplied by SUNY press)…
Part 3c[1] Introduction to Part 3c [Young Mr Lincoln (1939)] [Drums Along The Mohawk (1939)] [The Grapes of Wrath (1940)] Tobacco Road (1941) - The question of mode - The…
The motivations for this article originally had their genesis in a knee-jerk reaction to the barrage of bad rock journalism that is continuing to pick up momentum here in Melbourne.…
Beyond six rivers and three mountain ranges rises Zora, a city that no one, having seen it, can forget. But not because, like other memorable cities, it leaves an unusual…
Click here to view Knocknagow (1918) In January 1920, an Irish-made film received the following tribute from a leading Dublin newspaper: It is common talk among exhibitors in Ireland that…
Click here to view Knocknagow (1918) Introduction Ireland occupies a marginal position in world cinema.[1] Indeed, despite the expansion in the Irish film industry during the last twenty years, this…
Click here to view Knocknagow (1918) Film producer James Mark Sullivan (fig. 1) was born in Kerry in 1873 and emigrated with his family to the United States in 1882.…
Click here to view Knocknagow (1918) Introduction In his seminal account of Irish silent cinema, Kevin Rockett locates the Film Company of Ireland’s Knocknagow in relation to the politics of…
Click here to view Knocknagow (1918) During the nineteenth and early twentieth centuries, authenticity—the “genuine” and the “real”, as it was often termed—was an ongoing concern for Irish-themed entertainment in…
The question of whether cinema has run out of time, and the related question of whether it is also, therefore, out of ‘its’ time (cinema as ‘heritage’ media, a relic…
Click here to view Knocknagow (1918) Knocknagow (1918) has a special significance for followers of sport in Ireland.[1] Most immediately, it contains one of the earliest surviving depictions of hurling…
Raymond Durgnat: Do you have favourites among your films? Stephen Dwoskin: They’re all so different; I have to like them all. I let you choose! RD: Do you set out…
Click here to view Knocknagow (1918) Global integration was greatly accelerated during the second half of the nineteenth century by the development of new communication techniques. There was a steady…
Agnès Varda’s 1958 short L’Opéra Mouffe (Diary of a Pregnant Woman) is a provocative investigation into Varda’s personal response to her first pregnancy with her daughter Rosalie. This sixteen minute…
Introduction The story of Alexander Pearce’s arduous journey through southwest Tasmania and the gruesome fate that befell his comrades on their famishing trek across the island state has been narrated…
Eleftheria Thanouli, Post-Classical Cinema: An International Poetics of Film Narration. London: Wallflower Press, 2009. ISBN: 978-1-906660-09-3 Au$44.95 (pb) 224pp Review copy supplied by Wallflower Press. Eleftheria Thanouli opens her book…
Introduction The actors in Pier Paolo Pasolini’s The Canterbury Tales (I racconti di Canterbury [1970]) are English and Italian. The film has an English and an Italian version, both dubbed.…
Scott’s reputation in the film age When Sir Walter Scott died in 1832 he was the most famous novelist the world had ever known. Remarkably, Scott took up fiction only…
In the early part of 2009, I was preparing to teach The Jazz Singer (1927) as part of an introductory Media Histories subject for Australian university students. [1] While searching…
In its multiple forms, the cinema offers opportunities for an encounter. Unlike the act of viewing, encountering rejects passivity and engages; it brings two together: the self and the other,…
Tipperary, 1848. The inhabitants of Kilthubber village are happily going about their business. Mat “The Thrasher” Donovan, a stalwart peasant, sings as he ploughs the fields. In Knocknagow, a nearby…
Mat “The Thrasher” Donovan Brian Magowan Arthur O’Connor Fred O’Donovan Nora Lahy Kathleen Murphy Phil Lahy Arthur Shields Pender J. M. Carre Billy Heffernan Breffni O’Rourke Father O’Carroll Valentine Roberts…
… I’m coming from something to that, and from that going to something. So I always did everything as an arc. I never did this without hanging here and groping…
Writing in early 2012, while the Syrian army besieges whole towns and racks up a death and injury toll of thousands, is it ill-judged to train focus on this country’s…
Intertitle 1. [INDISTINCT] The Film Company of Ireland, Ltd. announces that Knocknagow is produced by arrangement with JAMES DUFFY & CO. Ltd. / Copyright Owners / Dublin. Copyright 1918 by…
“Knocknagow: Filming of Kickham’s famous Novel: What Period? Interesting Point for Irish Historians,” The Irish Limelight (Dublin) (May 1917), 6. “KNOCKNAGOW,” the great picture play of the year for Ireland,…
Petulia (1968) sits at a crucial juncture in American/British director Richard Lester’s career. Some elements of its filigreed and somewhat hyperactive style relate it clearly to the often kinetic films…
R. Barton Palmer (ed.), Larger than Life: Movie Stars of the 1950s Rutgers University Press, 2010 ISBN: 978-0-8135-4767-1 US$24.95 (pb) 272pp (Review copy supplied by Rutgers University Press) Larger Than…
Black screen: indistinct voices: the sound of laboured breathing. Cut to the image of a young man, Ismael (Bahram Radan), his body writhing uncontrollably, overtaken by a sudden violent seizure.…