First Release
Introduction: Popular Music and Film by Amanda Howell & Cory Messenger“I’m glad I’m not me!” Marking transitivity in Don’t Look Back by David BakerMarking time in the Barry McKenzie films’ music by Rebecca Coyle and Michael HannanFrom Rock Kids to Beijing Bastards: PRC youth subcultures on film before and after June 4 by Steve ForeSpectacle, Masculinity, and Music in Blaxploitation Cinema by Amanda HowellSongstruck: rethinking identifications in romantic comedies by Anahid KassabianAct Naturally: Elvis Presley, the Beatles and “rocksploitation” by Cory MessengerMinimalist Menace: The Necks score The Boys: The Boys, Cinesonics and Australian Cinema by Tony MitchellFrom the warehouse to the multiplex: techno and rave culture’s reconfiguration of late 1990s sci-fi spectacle as musical performance by Diana SandarsThe edge of seventeen: class, age, and popular music in Richard Linklater’s School of Rock by Jeff Smith“Young and in love”: music and memory in Leander Haussmann’s Sun Alley by Ken WoodgateThe Magical Place of Literary Memory™: Xanadu by Belinda Barnet
Reviews
César by Richard ArmstrongAmerican Science Fiction TV: Star Trek, Stargate and Beyond by Merv BendleAn Encyclopaedic Dictionary of Women in Early American Films: 1895-1930 by Ina BertrandGreen Screen: Environmentalism and Hollywood Cinema by Ina BertrandNovels into Film by Ina BertrandMedia Matrix: Sexing the New Reality by Thomas CaldwellThe Inquisition in Hollywood: Politics in the Film Community, 1930-60 by Thomas CaldwellJournalism in the Movies by Colin CrispFuture Cinema: The Cinematic Imaginary after Film by Sean CubittGhouls, Gimmicks and Gold: Horror Films and the American Movie Business, 1953-1968 by Leanne DowningScreen Traffic, Movies, Multiplexes and Gobal Culture by Leanne DowningSelling Television. British Television in the Global Marketplace by Laurie N. EdeMovie Mutations: The Changing Face of World Cinephilia by Mas GenerisContemporary Costume Film: Space, Place and the Past by Melissa Ursula Dawn GoldsmithAustralian Cinema after Mabo by Helen GraceAmerican Cinema’s Transitional Era. Audiences, Institutions, Practices by Jan-Christopher HorakHorizons West: Directing the Western from John Ford to Clint Eastwood by D.B. JonesThe Whole Equation: A History of Hollywood by D.B. JonesStyle and Meaning: Studies in the Detailed Analysis of Film by Adrian MartinThe Lost World of Mitchell & Kenyon: Edwardian Britain on Film by Brian McFarlaneNew Challenges for Documentary by More Dirty Looks: Gender, Pornography and Power by Jaime S. OngDietrich’s Ghosts: The Sublime and the Beautiful in Third Reich Film by Patrice PetroThis Wounded Cinema, this Wounded Lfe: Violence and Utopia in the Films of Sam Peckinpah by Leland PoagueContemporary World Television by Dana PolanNosferatu: Phantom der Nacht by Thomas RedwoodThree Philosophical Filmmakers: Hitchcock, Welles, Renoir by Daniel RossWithnail & I by David SanjekRevolution Televised: Prime Time and the Struggle for Black Power by Gerald SimThe Matrix by Darren ToftsTeen TV: Genre, Consumption and Identity by Sue Turnbull