Issue 14

Issue 14 – Editorial by Peter Hughes

Michael Mann’s Cinema of Images by Anna Dzenis

A Case of Mistaken Identity: Governance, Guardianship and the ScreenSound Saga by Ray Edmondson

After the Fact by Annie Goldson

Seven Theses about Border Genres / Five Modest Proposals about Docudrama by Derek Paget

Archival Poetics by Nanna Verhoeff

Stars and Audiences in Early American Cinema by Lee Grieveson

Korean Post New Wave Film Director Series: KIM Ki-Duk by Brian Yecies

Science Fiction Film by Merv Bendle

The Money Shot: Cinema, Sin and Censorship by Ina Bertrand

The Artist as Monster: The Cinema of David Cronenberg by Thomas Caldwell

Colonial Cinema and Imperial France: White Blind Spots, Male Fantasies, Settler Myths by Colin Crisp

Public Television: Politics and the Battle over Documentary Film by Mary Debrett

Italian Film by John Foot

The Immediate Experience by D.B. Jones

The Searchers by D.B. Jones

Film in South East Asia: Views from the Region by Olivia Khoo

The Big Tomorrow: Hollywood and the Politics of the American Way by Adam Knee

Experimental Cinema in the Digital Age by Mike Leggett

The Black Image in the White Mind: Media and Race in America by Harriet Margolis

An Accented Cinema: Exilic and Diasporic Filmmaking by Fran Martin

Jacques Tourneur.The Cinema of Nightfall by Geoff Mayer

Young and Innocent? The Cinema in Britain 1896-1930 by Brian McFarlane

Silent Film and the Triumph of the American Myth by Jaime S. Ong

Cinema of Flames: Balkan Film, Culture and the Media by Violetta Petrova

Noise, Water, Meat: A History of Sound in the Arts by John Potts

Sound Technology and the American Cinema by Brian Yecies

Hurray for Pusan and the Korean New Wave! Asian Cinema Odyssey at the 6th Pusan International Film Festival by Brian Yecies

The Deleuze Connections by Stephen Zagala