Uploaded 06 November, 2002. First ReleaseIssue 14 – EditorialPeter HughesMichael Mann’s Cinema of ImagesAnna DzenisA Case of Mistaken Identity: Governance, Guardianship and the ScreenSound SagaRay EdmondsonAfter the FactAnnie GoldsonSeven Theses about Border Genres / Five Modest Proposals about DocudramaDerek PagetArchival PoeticsNanna Verhoeff ReviewsThe Immediate ExperienceD.B. JonesThe SearchersD.B. JonesFilm in South East Asia: Views from the RegionOlivia KhooThe Big Tomorrow: Hollywood and the Politics of the American WayAdam KneeExperimental Cinema in the Digital AgeMike LeggettThe Black Image in the White Mind: Media and Race in AmericaHarriet MargolisAn Accented Cinema: Exilic and Diasporic FilmmakingFran MartinJacques Tourneur.The Cinema of NightfallGeoff MayerYoung and Innocent? The Cinema in Britain 1896-1930Brian McFarlaneSilent Film and the Triumph of the American MythJaime S. OngScience Fiction FilmMerv BendleCinema of Flames: Balkan Film, Culture and the MediaVioletta PetrovaThe Money Shot: Cinema, Sin and CensorshipIna BertrandNoise, Water, Meat: A History of Sound in the ArtsJohn PottsThe Artist as Monster: The Cinema of David CronenbergThomas CaldwellSound Technology and the American CinemaBrian YeciesColonial Cinema and Imperial France: White Blind Spots, Male Fantasies, Settler MythsColin CrispHurray for Pusan and the Korean New Wave! Asian Cinema Odyssey at the 6th Pusan International…Brian YeciesPublic Television: Politics and the Battle over Documentary FilmMary DebrettThe Deleuze ConnectionsStephen ZagalaItalian FilmJohn Foot Classics & Re-runsStars and Audiences in Early American CinemaLee GrievesonKorean Post New Wave Film Director Series: KIM Ki-DukBrian Yecies
