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- Issue 14 – EditorialPeter Hughes
- Michael Mann’s Cinema of ImagesAnna Dzenis
- A Case of Mistaken Identity: Governance, Guardianship and the ScreenSound SagaRay Edmondson
- After the FactAnnie Goldson
- Seven Theses about Border Genres / Five Modest Proposals about DocudramaDerek Paget
- Archival PoeticsNanna Verhoeff
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- Stars and Audiences in Early American CinemaLee Grieveson
- Korean Post New Wave Film Director Series: KIM Ki-DukBrian Yecies
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- Science Fiction FilmMerv Bendle
- The Money Shot: Cinema, Sin and CensorshipIna Bertrand
- The Artist as Monster: The Cinema of David CronenbergThomas Caldwell
- Colonial Cinema and Imperial France: White Blind Spots, Male Fantasies, Settler MythsColin Crisp
- Public Television: Politics and the Battle over Documentary FilmMary Debrett
- Italian FilmJohn Foot
- The Immediate ExperienceD.B. Jones
- The SearchersD.B. Jones
- Film in South East Asia: Views from the RegionOlivia Khoo
- The Big Tomorrow: Hollywood and the Politics of the American WayAdam Knee
- Experimental Cinema in the Digital AgeMike Leggett
- The Black Image in the White Mind: Media and Race in AmericaHarriet Margolis
- An Accented Cinema: Exilic and Diasporic FilmmakingFran Martin
- Jacques Tourneur.The Cinema of NightfallGeoff Mayer
- Young and Innocent? The Cinema in Britain 1896-1930Brian McFarlane
- Silent Film and the Triumph of the American MythJaime S. Ong
- Cinema of Flames: Balkan Film, Culture and the MediaVioletta Petrova
- Noise, Water, Meat: A History of Sound in the ArtsJohn Potts
- Sound Technology and the American CinemaBrian Yecies
- Hurray for Pusan and the Korean New Wave! Asian Cinema Odyssey at the 6th Pusan International Film FestivalBrian Yecies
- The Deleuze ConnectionsStephen Zagala
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