First Release
Cinema/Theatre: Beyond Adaptation by Des O'RaweThe Return Home: John Cassavetes’s Love Streams by Charles LearyJacques Rivette: Va Savoir by Sam RohdieInviolable Attachments: Takeshi Kitano’s Dolls by Des O'RaweDouglas Sirk’s Theatres of Imitation by Richard RushtonThe Eye of the Beckettian Present by Sean Redmond & Matt WagnerTongue-Tied: Film and Theatre Voices in David Mamet’s Oleanna by Donna Peberdy
Reviews
Mute Dreams, Blind Owls and Dispersed Knowledges: Persian Poesis in the Transnational Circuitry by EditorTaiwan Film Directors: A Treasure Island by Chris BerryAmericanizing the Movies and “Movie Mad” Audiences: 1910-1914 by Ina BertrandThe Tread of a White Man’s Foot: Australian Pacific Colonialism and the Cinema, 1925-62 by Ina BertrandCahiers du Cinéma presents The Hollywood Interviews by Colin CrispEuropean Cinema: Face to Face with Hollywood by Colin CrispFilm Propaganda in Britain and Nazi Germany: World War II Cinema by Colin CrispHollywood and the Culture Elite: How the Movies Became American by Tom CrosbieGhosts: Death’s Double and the Phenomenon of Theatre by Jeannette DelamoirPostcards from the Cinema by Anna DzenisBlue-Collar Hollywood: Liberalism, Democracy, and Working People in American Film by Tony FonsecaHistory Goes to the Movies: Studying History on Film by Mas GenerisThe Musical as Drama by Heather HeckmanDepth of Field: Stanley Kubrick Film, and the Uses of History by D.B. JonesMichael Moore’s Fahrenheit 9/11: How one film divided a nation by D.B. JonesJean-Luc Godard by D.B. JonesGaming: Essays on Algorithmic Culture by Martin ManningAdventures of a Hollywood Secretary: Her Private Letters from Inside the Studios of the 1920s by Harriet MargolisCitizen Spielberg by Ben McCannRedrawing the Map: The New European Cinema by Violetta PetrovaAlfred Hitchcock by Leland PoagueFeelings are Facts: A Life by Daniel RossCinema and Modernity by David SanjekPretend we’re Dead. Capitalist Monsters in American Pop Culture by David SanjekManly Arts: Masculinity and Nation in Early American Cinema by Andrew SpicerDeleuze, Cinema and National Identity: Narrative Time in National Contexts by Sharon Lin TayTunes for ‘Toons: Music and the Hollywood Cartoon by Rick ThompsonAn Amorous History of the Silver Screen: Shanghai Cinema, 1896-1937 by Mike WalshChasing Dragons: An Introduction to the Martial Arts Film by Mike WalshThe Cinema Dreams its Rivals: Media Fantasy Films from Radio to the Internet by Saige WaltonAmerican Cinema of the 1940s: Themes and Variations by Matt WanatThis Wounded Cinema, this Wounded life: Violence and Utopia in the Films of Sam Peckinpah by Matt Wanat