[toggle_framed title=”Special Issue: Early Europe”]
- Medieval Reimaginings: Female Knights in Children’s TelevisionNarelle Campbell
- Iraq, the Prequel(s): Historicising Military Occupation and Withdrawal in Kingdom of Heaven and 300Louise D’Arcens
- Reel Medici Mobsters? The Medici: Godfathers of the Renaissance ReassessedChristina Loong
- “A Continuous Return”: Tristan and Isolde, Wagner, Hollywood and Bill ViolaLaura Ginters
- Three Thrusts at ExcaliburRaúl Ruiz
- ContributorsEditor
- Screening Early Europe: Premodern ProjectionsLouise D’Arcens
- The Long Path Back: Medievalism and FilmAdrian Martin
- Transparent Walls: Stained Glass and Cinematic MedievalismStephanie Trigg
- Suspended Animation: Myth, Memory and History in BeowulfAnke Bernau
- “We are the Monsters Now”: The Genre Medievalism of Robert Zemeckis’ BeowulfSylvia Kershaw and Laurie Ormond
- From Mythic History to Cinematic Poetry: Terrence Malick’s The New World ViewedRobert Sinnerbrink
- Music for Myth and Fantasy in Two Arthurian FilmsHelen Dell
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[toggle_framed title=”First Release”]
- Fishing from the Same Stream: The New Iranian Cinema, Close-Up and the “Film-on-film” GenreAdrian Danks
- Playing Empire: Settler Masculinities, Adventure, and Merian C. Cooper’s The Four Feathers (US 1929)Peter Limbrick
- Strike Me Lucky: Social Difference and Consumer Culture in Roy Rene’s Only FilmLesley Speed
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[toggle_framed title=”Australian Film Culture”]
- Some Early History of the Australian Film Institute: A Memoir of the 1970sIna Bertrand
- ‘The Circulation of Ideas’: An Interview with Tom O’ReganDeane Williams
- Shifts and Interventions: Cultural Materialism and Australian Film HistoryDeane Williams
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[toggle_framed title=”Reviews”]
- Raymond Longford’s The Sentimental Bloke: The Restored VersionIna Bertrand
- Hollywood in the Neighbourhood: Historical Case Studies of Local MoviegoingIna Bertrand
- Loving and Hating Hollywood: Reframing Global and Local CinemasNathalie Brillon
- Wort und Fleisch: Kino zwischen Text und Körper/ Word and Flesh: Cinema between Text and the BodyAdam Broinowski
- From Plato to Lumière: Narration and Monstration in Literature and CinemaRachael Cameron
- Screening a Lynching: The Leo Frank Case on Film and TelevisionRyan Cook
- Vocal Tracks: Performance and Sound MediaMaura Edmond
- Hong Kong New Wave Cinema (1978-2000)Victor Fan
- The Encyclopedia of British Film (Third Edition)Mike Fleming
- A Critical Handbook of Japanese Film Directors: From the Silent Era to the Present DayFreda Freiberg
- Key Readings in Media Today: Mass Communication in ContextsGin Chee Tong
- Picturing American Modernity: Traffic, Technology, and the Silent CinemaFrances Guerin
- Dark Places: The Haunted House in FilmAlexandra Heller-Nicholas
- Beyond the Subtitle: Remapping European Art CinemaRoger Hillman
- The Fun Factory: The Keystone Film Company and the Emergence of Mass CultureJan-Christopher Horak
- Albert MayslesIrene Jarvos
- Movie Greats: A Critical Study of Classic CinemaD.B. Jones
- Screenwriting: History, Theory and PracticeHarry Kirchner
- Out of Asia: The Films of Akira Kurosawa, Satyajit Ray, Abbas Kiraostami, and Zhang Yimou; Essays and InterviewsRoger Macy
- Turkish Cinema: Identity, Distance and BelongingHarriet Margolis
- Jane CampionHarriet Margolis
- Hollywood’s Cold WarCraig Martin
- Scorsese by EbertJosh Nelson
- Crisis and Capitalism in Contemporary Argentine CinemaVioleta Politoff
- Film World: Interviews with Cinema’s Leading DirectorsThomas Redwood
- Screen Media: Analysing Film and TelevisionChristopher Rowe
- Film Festival Yearbook 1: The Festival CircuitKirsten Stevens
- Creative Nation: Australian Cinema and Cultural Studies ReaderJay Daniel Thomas
- Johnnie To Kei-fung’s PTUMike Walsh
- Vincente Minnelli: The Art of EntertainmentMike Walsh
- The Cinema of Naruse Mikio: Women and Japanese ModernityMike Walsh
- Neo-Romantic Landscapes: An Aesthetic Approach to the Films of Powell and PressburgerTony Williams
- Seeing Witness: Visuality and the Ethics of TestimonyJanice Yu
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