Uploaded 22 December, 2009. Special Issue: Early Europe“A Continuous Return”: Tristan and Isolde, Wagner, Hollywood and Bill ViolaLaura GintersThree Thrusts at ExcaliburRaúl RuizContributorsEditorScreening Early Europe: Premodern ProjectionsLouise D’ArcensThe Long Path Back: Medievalism and FilmAdrian MartinTransparent Walls: Stained Glass and Cinematic MedievalismStephanie TriggSuspended Animation: Myth, Memory and History in BeowulfAnke Bernau“We are the Monsters Now”: The Genre Medievalism of Robert Zemeckis’ BeowulfSylvia Kershaw and Laurie OrmondFrom Mythic History to Cinematic Poetry: Terrence Malick’s The New World ViewedRobert SinnerbrinkMusic for Myth and Fantasy in Two Arthurian FilmsHelen DellMedieval Reimaginings: Female Knights in Children’s TelevisionNarelle CampbellIraq, the Prequel(s): Historicising Military Occupation and Withdrawal in Kingdom of Heaven and 300Louise D’ArcensReel Medici Mobsters? The Medici: Godfathers of the Renaissance ReassessedChristina Loong First ReleaseFishing from the Same Stream: The New Iranian Cinema, Close-Up and the “Film-on-film” GenreAdrian DanksPlaying Empire: Settler Masculinities, Adventure, and Merian C. Cooper’s The Four Feathers (US 1929)Peter LimbrickStrike Me Lucky: Social Difference and Consumer Culture in Roy Rene’s Only FilmLesley Speed Australian Film CultureSome Early History of the Australian Film Institute: A Memoir of the 1970sIna Bertrand‘The Circulation of Ideas’: An Interview with Tom O’ReganDeane WilliamsShifts and Interventions: Cultural Materialism and Australian Film HistoryDeane Williams ReviewsKey Readings in Media Today: Mass Communication in ContextsGin Chee TongFilm Festival Yearbook 1: The Festival CircuitKirsten StevensPicturing American Modernity: Traffic, Technology, and the Silent CinemaFrances GuerinCreative Nation: Australian Cinema and Cultural Studies ReaderJay Daniel ThomasDark Places: The Haunted House in FilmAlexandra Heller-NicholasJohnnie To Kei-fung’s PTUMike WalshBeyond the Subtitle: Remapping European Art CinemaRoger HillmanVincente Minnelli: The Art of EntertainmentMike WalshThe Fun Factory: The Keystone Film Company and the Emergence of Mass CultureJan-Christopher HorakThe Cinema of Naruse Mikio: Women and Japanese ModernityMike WalshAlbert MayslesIrene JarvosNeo-Romantic Landscapes: An Aesthetic Approach to the Films of Powell and PressburgerTony WilliamsRaymond Longford’s The Sentimental Bloke: The Restored VersionIna BertrandMovie Greats: A Critical Study of Classic CinemaD.B. JonesSeeing Witness: Visuality and the Ethics of TestimonyJanice YuHollywood in the Neighbourhood: Historical Case Studies of Local MoviegoingIna BertrandScreenwriting: History, Theory and PracticeHarry KirchnerLoving and Hating Hollywood: Reframing Global and Local CinemasNathalie BrillonOut of Asia: The Films of Akira Kurosawa, Satyajit Ray, Abbas Kiraostami, and Zhang Yimou; Essays…Roger MacyWort und Fleisch: Kino zwischen Text und Körper/ Word and Flesh: Cinema between Text and the…Adam BroinowskiTurkish Cinema: Identity, Distance and BelongingHarriet MargolisFrom Plato to Lumière: Narration and Monstration in Literature and CinemaRachael CameronJane CampionHarriet MargolisScreening a Lynching: The Leo Frank Case on Film and TelevisionRyan CookHollywood’s Cold WarCraig MartinVocal Tracks: Performance and Sound MediaMaura EdmondScorsese by EbertJosh NelsonHong Kong New Wave Cinema (1978-2000)Victor FanCrisis and Capitalism in Contemporary Argentine CinemaVioleta PolitoffThe Encyclopedia of British Film (Third Edition)Mike FlemingFilm World: Interviews with Cinema’s Leading DirectorsThomas RedwoodA Critical Handbook of Japanese Film Directors: From the Silent Era to the Present DayFreda FreibergScreen Media: Analysing Film and TelevisionChristopher Rowe
