First Release
Issue 8 Editorial by Ina Bertrand“Fallen Woman” Prostitute Narratives in the Cinema by Russel CampbellMcLaren and Grierson: Intersections by Terence DobsonThe “Big Fella” on the Big Screen: Cinema, Charisma, Myth and History by Chris EipperThe Good Soldier: Neil Jordan’s Michael Collins by Ewan MorrisServing the Nation in the Digital Era by Richard PatersonThe PADS project at the University of Glasgow by Tony PearsonFrances of Fielding (Lee Hill, 1928) – A Community Comedy: New Zealand’s Populist Answer to Hollywood by Chris WatsonThe Primrose Path: Faking UK Television Documentary, “Docuglitz” and Docusoap by Brian WinstonBroadcasting Regulation: on the Side of the Angels? by Sylvia Harvey
Classics and Re-runs
The Origins of Pathé-Natan by Gilles Willems
Reviews
The Undertaker: Gilberto Perez’s The Material Ghost: Films and their Medium by Adrian MartinThe Emperor’s Naked Army Marches On (Yukiyukite Shingun) by Chris BerryChick Flicks: Theories and Memories of the Feminist Film Movement by Felicity CollinsThe Art of Taking a Walk: Flanerie, Literature and Film in Weimar Culture by Lisa CoulthardBody Horror: Photojournalism, Catastrophe and War by Bruce J. EvensenAn Autobiography of British Cinema by Sue HarperAmerican Gothic : New Interventions in a National Narrative by Wendy HaslemFilm, Form and Culture by Thierry JutelDisaster and Memory: Celebrity Culture and the Crisis of Hollywood Cinema by Arthur LindleyHollywood Renaissance: The Cinema of Democracy in the Era of Ford, Capra, and Kazan by Richard MaltbyJane Campion: Interviews by Harriet MargolisFamily Fictions: Representations of the Family in 1980s Hollywood Cinema by Margaret NixonClose up, 1927-1933: Cinema and Modernism by Geoffrey Nowell-SmithThe Films of Gillian Armstrong by Patrice PetroFilm Follies: The Cinema Out of Order by David SanjekSecond Take: Australian Film-makers Talk by Rick ThompsonCity of Dreams: The Making and Unmaking of Universal Pictures by Timothy R. WhiteContemporary Spanish Cinema by Sophy Williams