Uploaded 12 November, 1999. First ReleasEIssue 8 EditorialIna Bertrand“Fallen Woman” Prostitute Narratives in the CinemaRussel CampbellMcLaren and Grierson: IntersectionsTerence DobsonThe “Big Fella” on the Big Screen: Cinema, Charisma, Myth and HistoryChris EipperThe Good Soldier: Neil Jordan’s Michael CollinsEwan MorrisServing the Nation in the Digital EraRichard PatersonThe PADS project at the University of GlasgowTony PearsonFrances of Fielding (Lee Hill, 1928) – A Community Comedy: New Zealand’s Populist Answer to HollywoodChris WatsonThe Primrose Path: Faking UK Television Documentary, “Docuglitz” and DocusoapBrian WinstonBroadcasting Regulation: on the Side of the Angels?Sylvia Harvey ReviewsFamily Fictions: Representations of the Family in 1980s Hollywood CinemaMargaret NixonClose up, 1927-1933: Cinema and ModernismGeoffrey Nowell-SmithThe Films of Gillian ArmstrongPatrice PetroFilm Follies: The Cinema Out of OrderDavid SanjekSecond Take: Australian Film-makers TalkRick ThompsonThe Undertaker: Gilberto Perez’s The Material Ghost: Films and their MediumAdrian MartinCity of Dreams: The Making and Unmaking of Universal PicturesTimothy R. WhiteThe Emperor’s Naked Army Marches On (Yukiyukite Shingun) Chris BerryContemporary Spanish CinemaSophy WilliamsChick Flicks: Theories and Memories of the Feminist Film Movement Felicity CollinsThe Art of Taking a Walk: Flanerie, Literature and Film in Weimar CultureLisa CoulthardBody Horror: Photojournalism, Catastrophe and WarBruce J. EvensenAn Autobiography of British CinemaSue HarperAmerican Gothic : New Interventions in a National NarrativeWendy HaslemFilm, Form and CultureThierry JutelDisaster and Memory: Celebrity Culture and the Crisis of Hollywood CinemaArthur LindleyHollywood Renaissance: The Cinema of Democracy in the Era of Ford, Capra, and KazanRichard MaltbyJane Campion: InterviewsHarriet Margolis Classics & Re-runsThe Origins of Pathé-NatanGilles Willems
