Uploaded 12 November, 1999. First ReleasEIssue 8 Editorial Ina Bertrand“Fallen Woman” Prostitute Narratives in the Cinema Russel CampbellMcLaren and Grierson: Intersections Terence DobsonThe “Big Fella” on the Big Screen: Cinema, Charisma, Myth and History Chris EipperThe Good Soldier: Neil Jordan’s Michael Collins Ewan MorrisServing the Nation in the Digital Era Richard PatersonThe PADS project at the University of Glasgow Tony PearsonFrances of Fielding (Lee Hill, 1928) – A Community Comedy: New Zealand’s Populist Answer to Hollywood Chris WatsonThe Primrose Path: Faking UK Television Documentary, “Docuglitz” and Docusoap Brian WinstonBroadcasting Regulation: on the Side of the Angels? Sylvia Harvey ReviewsSecond Take: Australian Film-makers Talk Rick ThompsonThe Undertaker: Gilberto Perez’s The Material Ghost: Films and their Medium Adrian MartinCity of Dreams: The Making and Unmaking of Universal Pictures Timothy R. WhiteThe Emperor’s Naked Army Marches On (Yukiyukite Shingun) Chris BerryContemporary Spanish Cinema Sophy WilliamsChick Flicks: Theories and Memories of the Feminist Film Movement Felicity CollinsThe Art of Taking a Walk: Flanerie, Literature and Film in Weimar Culture Lisa CoulthardBody Horror: Photojournalism, Catastrophe and War Bruce J. EvensenAn Autobiography of British Cinema Sue HarperAmerican Gothic : New Interventions in a National Narrative Wendy HaslemFilm, Form and Culture Thierry JutelDisaster and Memory: Celebrity Culture and the Crisis of Hollywood Cinema Arthur LindleyHollywood Renaissance: The Cinema of Democracy in the Era of Ford, Capra, and Kazan Richard MaltbyJane Campion: Interviews Harriet MargolisFamily Fictions: Representations of the Family in 1980s Hollywood Cinema Margaret NixonClose up, 1927-1933: Cinema and Modernism Geoffrey Nowell-SmithThe Films of Gillian Armstrong Patrice PetroFilm Follies: The Cinema Out of Order David Sanjek Classics & Re-runsThe Origins of Pathé-Natan Gilles Willems
