Issue 29

He’s Not There: Robert Frank’s Me and My Brother by George Kouvaros

Monochrome Now: Digital Black and White Cinema and the Photographic Past by Lara Thompson

The Album of Everyday Life: The Photograph in the Films of Nuri Bilge Ceylan by Sarinah Masukor

Profils Paysans by Sam Rohdie

Cinema Lucida: Johan van der Keuken and the Meaning of Loss by Des O'Rawe

The Time of Sculpture: Film, Photography and Auguste Rodin by Rebecca Sheehan

Film as an Archive for Photography: The Portraitist as Witness to the Holocaust by Frances Guerin

David Claerbout’s Digital Pensive Images by Ji-hoon Kim

Beyond Characterization: Performance in 1960s Experimental Cinema by Wheeler Winston Dixon

Our Place in the World by George Kouvaros

Inspiration and Girl in a Mirror by Kathy Drayton

Fact and Fiction: The Iraq War Film in Absence by Gabrielle Murray

Bill Henson and the Devil, Probably by Adrian Martin

Bill Henson and the Cinematic by John Conomos

Women on the Edge: Twelve Political Film Practices by Ryan Noelle Bowles

Up Close: Carol Jerrems with Larry Clark, Nan Goldin and William Yang by Anna Dzenis

Hollywood Catwalk: Exploring Costume and Transformation in American Film by Maura Edmond

Cities Surround the Countryside: Urban Aesthetics in Postsocialist China by Victor Fan

The 21st Century Screenplay & Backstory 5: Interviews with Screenwriters of the 1990s by Harry Kirchner

Famous Faces Not Yet Themselves: The Misfits and Icons of Postwar America by Mike Lim

Wagner and Cinema by Cyrus Manasseh

Bowery to Broadway: The American Irish in Classic Hollywood Cinema by Brian McFarlane

Film Narratology: Introduction to the Theory of Narrative by Thomas Redwood

Dreams of Difference, Songs of the Same: The Musical Moment in Film by Luke Robinson

Hollywood’s Blacklists: A Political and Cultural History by Thomas Salek

Real and Reel: The Education of a Film Obsessive by Lynn Smailes

Hammer! Making Movies out of Sex and Life by Jay Daniel Thompson