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- Misprision (note version)Bill Routt
- Garin Nugroho: Didong, cinema and the embodiment of politics in cultural formAnne Rutherford
- Novelty title sequences and self-reflexivity in classical Hollywood cinemaDeborah Allison
- From City Symphony to Global City Film: Documentary Display and the CorporealKeith Beattie
- Alternate futures, contradictory pasts: Forking paths and cubist narratives in contemporary filmDavid Scott Diffrient
- Open City, Rossellini and neorealism: Sixty years on Tiziana Ferrero-Regis
- Entranced: Affective Mimesis and Cinematic IdentificationTim Groves
- ‘Ill-will with the trade’: The Sydney and Melbourne Film Festivals (1959-1964)Cathy Hope and Adam Dickerson
- ‘Separating the Sheep from the Goats’: The Sydney and Melbourne Film Festivals (1965-1972)Cathy Hope and Adam Dickerson
- Ticket to ride: Claire Denis and the cinema of the bodyAdrian Martin
- Sexy Señoritas and other Imperial Fantasies: US Foreign Policy, Domestic Fictions, and the Latina BodyMyra Mendible
- The Effectiveness of Australian Film Propaganda for the War Effort 1914-1918Daniel Reynaud
- The biographical approach to history or the subjectivity of the past: A case study of Intervista (Anri Sala, 1998)Margit Rohringer
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[toggle_framed title=”Reviews”]
- Jean CocteauDeborah Allison
- Icons of Grief: Val Lewton’s Home Front PicturesRichard Armstrong
- The Blade Runner Experience: The Legacy of a Science Fiction ClassicNeil Bather
- Neo-Baroque Aesthetics and Contemporary EntertainmentGreg Battye
- The Parallax ViewMerv Bendle
- The Barry McKenzie MoviesIna Bertrand
- Policing Cinema: Movies and Censorship in Early Twentieth-Century AmericaIna Bertrand
- Sheep and the Australian CinemaIna Bertrand
- The Last “Darky”: Bert Williams, Black-on-Black Minstrelsy, and the African DiasporaJodi Brooks
- Film FablesTom Conley
- Alain ResnaisAndrey Walkling
- The Cinema of FranceColin Crisp
- J. P. McGowan: Biography of a Hollywood PioneerJeannette Delamoir
- Film Performance: From Achievement to AppreciationAnna Dzenis
- Gore Vidal’s AmericaLaurie N. Ede
- Hollywood Behind the Wall. The Cinema of East GermanyLaurie N. Ede
- How to be an Intellectual in the Age of TV: The Lessons of Gore VidalDavid Ehrenstein
- Lara Croft: Cyber HeroineMark Finn
- Imitation of LifeFreda Freiberg
- Cinephilia: Movies, Love and MemoryMas Generis
- Ether: The Nothing that Connects EverythingMelissa Ursula Dawn Goldsmith
- The First Lady of Hollywood: A Biography of Louella ParsonsHeather Heckman
- Blackout: World War II and the Origins of Film NoirJan-Christopher Horak
- Shadows, Specters, Shards: Making History in Avant-Garde FilmJan-Christopher Horak
- Film RemakesAndrew Horton
- Hitchcock and Twentieth Century CinemaD.B. Jones
- Re-takes: Postcoloniality and Foreign Film LanguagesHarriet Margolis
- The OfficeBen McCann
- China on Screen: Cinema and NationAnne McLaren
- 100 AnimeSusan Napier
- Contemporary Asian Cinema: Popular Culture in a Global FrameDavid Neo
- Herr Lubitsch goes to Hollywood. German and American film after World War 1Leonie Naughton
- The Direct Cinema of David and Albert Maysles
- Incongruous Entertainment: Camp, Cultural Value and the MGM MusicalJaime S. Ong
- Citizen Spy: Television, Espionage, and Cold War CultureMichael Paris
- Unsettling Scores: German Film, Music, and IdeologyVioletta Petrova
- Big Screen RomeKerstin Pilz
- Silent film soundDana Polan
- Hitchcock’s cryptonymies.Murray Pomerance
- Directed by Steven Spielberg: Poetics of the contemporary Hollywood blockbusterPaul Ramaeker
- Mute dreams, blind owls and dispersed knowledges: Persian poesis in the transnational circuitryThomas Redwood
- 10Daniel Ross
- Historical dictionary of Australian and New Zealand cinemaGerald Sim
- Backstory 4: Interviews with screenwriters of the 1970s and 1980sRick Thompson
- Buffy the vampire slayer & Why Buffy matters: The art of Buffy the vampire slayer & Reading Angel: The tv spin-off with a soulSue Turnbull
- The big show: British cinema culture in the Great War 1914-1918Mike Walsh
- Virtual voyages: Cinema and travelSaige Walton
- Surrealism and cinemaJune Werrett
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