Author Archive for: ‘Sue Turnbull’

Teen TV: Genre, Consumption and Identity

Glyn Davis & Kay Dickinson (eds), Teen TV: Genre, Consumption and Identity. London: British Film Institute, 2004. ISBN: 0 85170 999 0 197pp £14.99stg. (pb) (Review copy supplied by BFI Publishing) What, then, does it mean for a group of academics over the age of nineteen to begin to rummage around in teen culture? (5) This is a pertinent question …

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Television and New Media Audiences

Ellen Seiter, Television and New Media Audiences. Oxford: Oxford University Press, 1999. ISBN 0 19 871141 7 152pp AU$55.00 (pb) Uploaded 1 March 2000 Published as one of a series, the Oxford Television Studies edited by Charlotte Brunsdon and John Caughie, Ellen Seiter’s contribution constitutes a powerful argument for the value of qualitative methods in television audience research. In a …

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Buffy the vampire slayer & Why Buffy matters: The art of Buffy the vampire slayer & Reading Angel: The tv spin-off with a soul

Anne Billson, Buffy the vampire slayer. London: British Film Institute, 2005. ISBN: 1 8445 7089 4, 192pp, £9 (pb). (Review copy supplied by BFI publications) Rhonda Wilcox, Why Buffy matters: The art of Buffy the vampire slayer. London and New York: I.B. Tauris, 2005. ISBN: 1 8451 1029 3, 256pp, £12.99 (pb). (Review copy supplied by I.B. Tauris) Stacey Abbott, …

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Daddy’s Girl: Young Girls and Popular Culture

Valerie Walkerdine Daddy’s Girl: Young Girls and Popular Culture Cambridge, Massachusetts: Harvard University Press. 1997 ISBN 0333647807 176pp. A$29.95 (Pb) Uploaded 16 April 1999 Daddy’s Girl is a very personal and passionate book which returns to a project initially embarked on by Walkerdine in her controversial essay “Video replay: families, films and fantasy” . In this earlier essay Walkerdine raised …

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Calling All Cars: Radio Dragnets and the Technology of Policing, Kathleen Battles

Minneapolis and London: University of Minnesota Press, 2010. ISBN 978-0-8166-4914-3 US$22.50 (pb) 282pp (Review copy supplied by University of Minnesota Press) For anyone interested in the representation of crime, Kathleen Battles’ study of the radio crime drama in the 1930s is essential reading.  While Battles admits that she is primarily concerned with addressing a gap in the cultural history of …

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