First Release
Jean-Luc Godard’s Histoire(s) du cinéma OR “Memory of the world” (a lecture) by Laleen JayamannelIntersections by Sam RohdieManny Farber and Patricia Patterson Interviewed by Rick ThompsonIntroduction to Australian Film Theory and Criticism Project Interviews by Deane WilliamsAgainst the Flow of Time: Michael Mann and Edward Hopper by Tim Groves & Costas ThrasyvoulouSay it with generic maps: Genre, identity and flowers in Michael Mann’s Collateral by Luis M. Garcia-MainarThe Carlton Ripple and the Australian Film Revival by Bruce Hodsdon
Reviews
Feature Review: Ford At Fox by Bill RouttScreening Modernism: European Art Cinema 1950-1980 by Richard ArmstrongDance Hall and Picture Palace: Sydneys Romance with Modernity by Ina BertrandAustralian Postwar Documentary Film: An Arc of Mirrors by Ina BertrandDavid Cronenberg: Author or Film-maker? by Nathalie BrillonAllegorical Images: Tableau, Time and Gesture in the Cinema of Werner Schroeter by Felicity CollinsMontage (Cinema Aesthetics) by Tom ConleyThe Adventures of Priscilla, Queen of the Desert (Australian Screen Classics Series) by John ConomosNightmare Japan: Contemporary Japanese Horror Cinema by Ryan CookFilm Architecture and the Transnational Imagination: Set Design in 1930s European Cinema by Colin CrispLooking Past the Screen: Case Studies in American Film History and Method by Colin CrispPerspectives on European Film and History by Colin CrispThe Byronic Hero in Film, Fiction, and Television by Tom CrosbieScience Fiction Cinema: Between Fantasy and Reality by James CurnowQuota Quickies: The Birth of the British ‘B’ Film by Wheeler Winston DixonWar Cinema. Hollywood on the Front Line by Philip DwyerBody Shots: Early Cinema’s Incarnations by Anna DzenisSleaze Artists: Cinema at the Margins of Taste, Style, and Politics by Maura EdmondThe Changing Face of Evil in Film and Television by Tony FonsecaItalian Film in the Shadow of Auschwitz by Freda FreibergCinema and Fascism: Italian Film and Society, 1922-1943 by Sabine HakeThe Routledge Companion to Gothic by Alexandra Heller-NicholasCinema Babel: Translating Global Cinema by Steven P HillWomen’s Experimental Cinema. Critical Frameworks by Jan-Christopher HorakIt’s So French! Hollywood, Paris, and the Making of Cosmopolitan Film Culture by Irene JarvosCinematic Identity: Anatomy of a Problem Film by D.B. JonesNight Mail by D.B. JonesFramed Time: Toward a Postfilmic Cinema by Mike LimOnce Were Warriors: The Aftermath. The Controvery of OWW in Aotearoa New Zealand by Harriet MargolisBecoming Visionary: Brian De Palma’s Cinematic Education of the Senses by Adrian MartinPhallic Panic by Craig MartinCinema and Sensation: French Film and the Art of Transgression by Ben McCannThe Wrong House: The Architecture of Alfred Hitchcock by Ken MoggStupendous, Miserable City: Pasolini’s Rome by Gino MoliternoThe Rocky Horror Picture Show (Cultographies) by Megan O'DonnellFilm Hieroglyphs: Ruptures in Classical Cinema (new introduction) by Des O'RaweThe Naval War Film: Genre, History, National Cinema by Michael ParisJacobean Visions: Webster, Hitchcock, and Google Culture by Leland PoagueState of Play: Contemporary “High-End” TV Drama by Paul RamaekerFilm and Dreams: Tarkovsky, Bergman, Sokurov, Kubrick and Wong Kar-wai by Thomas RedwoodProfanations by Daniel RossFull Metal Apache: Transactions Between Cyberpunk Japan and Avant-Pop America by Gerald SimDonnie Darko (Cultographies Series) by Justin SmithMedium Cool: Music Videos from Soundies to Cellphones by Darren ToftsThe Virtual Life of Film by Charles TuttonBombay Cinema: An Archive of the City by Mike WalshBrand Hollywood: Selling Entertainment in a Global Media Age by Mike WalshRobot Ghosts and Wired Dreams: Japanese Science Fiction from Origins to Anime by Mike WalshThe Urban Generation: Chinese Cinema and Society at the Turn of the Twenty-First Century by Mike WalshReading the French New Wave: Critics, Writers and Art Cinema in France by Catherine Wheatley