Uploaded 04 December, 2008. First ReleaseJean-Luc Godard’s Histoire(s) du cinéma OR “Memory of the world” (a lecture) Laleen JayamannelIntersectionsSam RohdieManny Farber and Patricia Patterson InterviewedRick ThompsonIntroduction to Australian Film Theory and Criticism Project InterviewsDeane WilliamsAgainst the Flow of Time: Michael Mann and Edward HopperTim Groves & Costas ThrasyvoulouSay it with generic maps: Genre, identity and flowers in Michael Mann’s CollateralLuis M. Garcia-MainarThe Carlton Ripple and the Australian Film RevivalBruce Hodsdon ReviewsLooking Past the Screen: Case Studies in American Film History and MethodColin CrispNight MailD.B. JonesDonnie Darko (Cultographies Series)Justin SmithPerspectives on European Film and HistoryColin CrispFramed Time: Toward a Postfilmic CinemaMike LimMedium Cool: Music Videos from Soundies to CellphonesDarren ToftsThe Byronic Hero in Film, Fiction, and TelevisionTom CrosbieOnce Were Warriors: The Aftermath. The Controvery of OWW in Aotearoa New ZealandHarriet MargolisThe Virtual Life of FilmCharles TuttonScience Fiction Cinema: Between Fantasy and RealityJames CurnowBecoming Visionary: Brian De Palma’s Cinematic Education of the SensesAdrian MartinBombay Cinema: An Archive of the CityMike WalshQuota Quickies: The Birth of the British ‘B’ FilmWheeler Winston DixonPhallic PanicCraig MartinBrand Hollywood: Selling Entertainment in a Global Media AgeMike WalshWar Cinema. Hollywood on the Front LinePhilip DwyerCinema and Sensation: French Film and the Art of TransgressionBen McCannRobot Ghosts and Wired Dreams: Japanese Science Fiction from Origins to AnimeMike WalshFeature Review: Ford At FoxBill RouttBody Shots: Early Cinema’s IncarnationsAnna DzenisThe Wrong House: The Architecture of Alfred HitchcockKen MoggThe Urban Generation: Chinese Cinema and Society at the Turn of the Twenty-First CenturyMike WalshScreening Modernism: European Art Cinema 1950-1980Richard ArmstrongSleaze Artists: Cinema at the Margins of Taste, Style, and PoliticsMaura EdmondStupendous, Miserable City: Pasolini’s RomeGino MoliternoReading the French New Wave: Critics, Writers and Art Cinema in FranceCatherine WheatleyDance Hall and Picture Palace: Sydneys Romance with ModernityIna BertrandThe Changing Face of Evil in Film and TelevisionTony FonsecaThe Rocky Horror Picture Show (Cultographies)Megan O’DonnellAustralian Postwar Documentary Film: An Arc of MirrorsIna BertrandItalian Film in the Shadow of AuschwitzFreda FreibergFilm Hieroglyphs: Ruptures in Classical Cinema (new introduction)Des O’RaweDavid Cronenberg: Author or Film-maker?Nathalie BrillonCinema and Fascism: Italian Film and Society, 1922-1943Sabine HakeThe Naval War Film: Genre, History, National CinemaMichael ParisAllegorical Images: Tableau, Time and Gesture in the Cinema of Werner SchroeterFelicity CollinsThe Routledge Companion to GothicAlexandra Heller-NicholasJacobean Visions: Webster, Hitchcock, and Google CultureLeland PoagueMontage (Cinema Aesthetics)Tom ConleyCinema Babel: Translating Global CinemaSteven P HillState of Play: Contemporary “High-End” TV DramaPaul RamaekerThe Adventures of Priscilla, Queen of the Desert (Australian Screen Classics Series)John ConomosWomen’s Experimental Cinema. Critical FrameworksJan-Christopher HorakFilm and Dreams: Tarkovsky, Bergman, Sokurov, Kubrick and Wong Kar-waiThomas RedwoodNightmare Japan: Contemporary Japanese Horror CinemaRyan CookIt’s So French! Hollywood, Paris, and the Making of Cosmopolitan Film CultureIrene JarvosProfanationsDaniel RossFilm Architecture and the Transnational Imagination: Set Design in 1930s European CinemaColin CrispCinematic Identity: Anatomy of a Problem FilmD.B. JonesFull Metal Apache: Transactions Between Cyberpunk Japan and Avant-Pop AmericaGerald Sim
