First Release
The Past is All Used Up: Orson Welles, Touch of Evil and Erasure by Peter AlilunasVolatile Space, Takemitsu and the Material Contagions of Harakiri by Anne RutherfordHeritage and Post-Heritage: The House of Mirth on Page and Screen by John HodgkinsCinematic Intertextuality and Comic Allusion in Giorgio Mangiamele’s Ninety Nine Per Cent by Gino MoliternoHitchcock Fabrics by Sam Rohdie
Reviews
Ford At Fox Part Two (c) by Bill RouttPop Goes Korea: Behind the Revolution in Movies, Music, and Internet Culture by Emily AshmanShining a Light: 50 Years of the Australian Film Institute by Ina BertrandJohn Woo’s The Killer by James BrownTurbulence and Flow in Film: The Rhythmic Design by John ConomosThe Hollywood Historical Film by James CurnowChris Marker: La Jetée by Adrian DanksThe British ‘B’ Film by Wheeler Winston DixonWavelength by Wheeler Winston DixonInherent Vice: Bootleg Histories of Videotape and Copyright by Tony FonsecaStudying the Event Film: The Lord of the Rings by Jane M. GreenA Grammar of Murder: Violent Scenes and Film Form by Alexandra Heller-NicholasAlice Guy Blaché: Cinema Pioneer by Jan-Christopher HorakAtom Egoyan’s The Adjuster by D.B. JonesA Theory of Narrative by Mike LimVictorian Vogue: British Novels on the Screen by Brian McFarlaneTalking Movies: Contemporary World Filmmakers in Interview by Jasmin McgowanOrson Welles and the Unfinished RKO Projects: A Postmodern Perspective by Matt Wanat