Uploaded 04 May, 2010. First ReleaseThe Past is All Used Up: Orson Welles, Touch of Evil and Erasure Peter AlilunasVolatile Space, Takemitsu and the Material Contagions of Harakiri Anne RutherfordHeritage and Post-Heritage: The House of Mirth on Page and Screen John HodgkinsCinematic Intertextuality and Comic Allusion in Giorgio Mangiamele’s Ninety Nine Per Cent Gino MoliternoHitchcock Fabrics Sam Rohdie ReviewsWavelength Wheeler Winston DixonInherent Vice: Bootleg Histories of Videotape and Copyright Tony FonsecaStudying the Event Film: The Lord of the Rings Jane M. GreenA Grammar of Murder: Violent Scenes and Film Form Alexandra Heller-NicholasAlice Guy Blaché: Cinema Pioneer Jan-Christopher HorakAtom Egoyan’s The Adjuster D.B. JonesA Theory of Narrative Mike LimVictorian Vogue: British Novels on the Screen Brian McFarlaneFord At Fox Part Two (c) Bill RouttTalking Movies: Contemporary World Filmmakers in Interview Jasmin McgowanPop Goes Korea: Behind the Revolution in Movies, Music, and Internet Culture Emily AshmanOrson Welles and the Unfinished RKO Projects: A Postmodern Perspective Matt WanatShining a Light: 50 Years of the Australian Film Institute Ina BertrandJohn Woo’s The Killer James BrownTurbulence and Flow in Film: The Rhythmic Design John ConomosThe Hollywood Historical Film James CurnowChris Marker: La Jetée Adrian DanksThe British ‘B’ Film Wheeler Winston Dixon
