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- Issue 7 EditorialIna Bertrand
- Theory into practice: Stanley Hawes and the Commonwealth Film UnitIna Bertrand
- A National, Historical Perspective on Documentary in DenmarkRasmus Dahl
- McLaren and Grierson: IntersectionsTerence Dobson
- Soho Square and Bennett Park: The Documentary Movement in Britain in the 1930sJohn Gray
- John Grierson and the Public Relations Industry in Britain
- Pôru Rûta/Paul Rotha and the Politics of Translation Part 1Abé Mark Nornes
- Pôru Rûta/Paul Rotha and the politics of translation part 2Abé Mark Nornes
- John Grierson in South Africa: Afrikaaner Nationalism and the National Film BoardKeyan G Tomaselli & Edwin Hees
- Between Empire and Nation: Grierson in AustraliaDeane Williams
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- Final Draft ReportJohn Grierson
- Copy of Memorandum from Mr. John GriersonJohn Grierson
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[toggle_framed title=”Reviews”]
- Without Lying Down. Frances Marion and the Powerful Women of Early HollywoodFelicity Collins
- Orson Welles, Shakespeare, and Popular CultureBlair Davis & Paul Heyer
- The Memory of Tiresias: Intertextuality and FilmHelen Grace
- Play It Again, Sam: Retakes on RemakesJohn Frow
- The Art of Record : A Critical Introduction to Documentary – No Other Way to Tell it: Dramadoc/docudrama on Television – Documentary Film ClassicsPeter Hughes
- The BirdsBill Krohn
- Sexual Politics and Narrative Film: Hollywood and BeyondArthur Lindley
- Celluloid Dreams: A Century of Film in New Zealand & 80 Turbulent Years: The Paramount Theatre Wellington 1917-1997Harriet Margolis
- Screening the Past: Film and the Representation of HistoryMichael Paris
- Bad Girls and Sick Boys: Fantasies in Contemporary Art and CultureTerrie Waddell
- The Victorian Internet : The Remarkable Story of the Telegraph and the Nineteenth Century’s On-Line PioneersPeter B. White
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