Issue 7

Issue 7 Editorial by Ina Bertrand

Theory into practice: Stanley Hawes and the Commonwealth Film Unit by Ina Bertrand

A National, Historical Perspective on Documentary in Denmark by Rasmus Dahl

McLaren and Grierson: Intersections by Terence Dobson

Soho Square and Bennett Park: The Documentary Movement in Britain in the 1930s by John Gray

John Grierson and the Public Relations Industry in Britain by

Pôru Rûta/Paul Rotha and the Politics of Translation Part 1 by Abé Mark Nornes

Pôru Rûta/Paul Rotha and the politics of translation part 2 by Abé Mark Nornes

John Grierson in South Africa: Afrikaaner Nationalism and the National Film Board by Keyan G Tomaselli & Edwin Hees

Between Empire and Nation: Grierson in Australia by Deane Williams

Final Draft Report by John Grierson

Copy of Memorandum from Mr. John Grierson by John Grierson

Without Lying Down. Frances Marion and the Powerful Women of Early Hollywood by Felicity Collins

Orson Welles, Shakespeare, and Popular Culture by Blair Davis & Paul Heyer

The Memory of Tiresias: Intertextuality and Film by Helen Grace

Play It Again, Sam: Retakes on Remakes by John Frow

The Art of Record : A Critical Introduction to Documentary – No Other Way to Tell it: Dramadoc/docudrama on Television – Documentary Film Classics by Peter Hughes

The Birds by Bill Krohn

Sexual Politics and Narrative Film: Hollywood and Beyond by Arthur Lindley

Celluloid Dreams: A Century of Film in New Zealand & 80 Turbulent Years: The Paramount Theatre Wellington 1917-1997 by Harriet Margolis

Screening the Past: Film and the Representation of History by Michael Paris

Bad Girls and Sick Boys: Fantasies in Contemporary Art and Culture by Terrie Waddell

The Victorian Internet : The Remarkable Story of the Telegraph and the Nineteenth Century’s On-Line Pioneers by Peter B. White