Issue 22

Issue 22 – Editorial by Editor

Screening the Past: A Memoir by Ina Bertrand

Tenth Memoire: Screening The Past Askew by Bill Routt

Nevermind the bandwidth – feel the quality by Peter Hughes

Ten Years of Screening the Past by Chris Berry

How Can Cinema History Matter More? by Richard Maltby

A View from Africa by Keyan G Tomaselli

Anniversary Musings by Harriet Margolis

Ribbons of Time by Sam Rohdie

Field survey: the poll results by Editor

List of contributors, Issues 1-21 by Editor

In Memoriam: Thierry Kuntzel (1948-2007) by John Conomos

Leonie Naughton: ‘touched by what she has left behind’ by Bill Routt

Leonie Naughton – Academic Iconoclast by Rose Capp

Funeral Address by David Hanan

Leonie by Wendy Haslem

Leonie Naughton: The Pleasure of Reinvention by Lesley Speed

Leonie Naughton’s Publications and Other Research by Editor

The Lure of the breach: invisibility and the dissolution of cinematic vision by Jodi Brooks

Six encounters with aviators: Early cinema, flight, danger and gender by Jeannette Delamoir

The Relevance and Evolution of the Historical Documentary Series in Televisión Española, from Testimonio (1964) to Memoria de España (2004) by Sira Hernández Corchete

The Changing Anzac Legend in three key Australian films by Daniel Reynaud

The Said within the Unsaid: The Subtle Ironies of Young Mr. Lincoln’s Intertextual References to Contemporary Historiography by Holger Römers

Serving the People in the twenty-first century: Zhang Side and the revival of the Yan’an Spirit by Julian Ward

Hallyuwood Down Under: The New Korean Cinema and Australia, 1996-2007 by Brian Yecies & Ae-Gyung Shim

Young Mr. Lincoln Reconsidered: An Essay on the Theory and Practice of Film Criticism by Rick Thompson

The Story of the Kelly Gang DVD and “The Picture That Will Live Forever”: The Story of the Kelly Gang by Jan-Christopher Horak

Urban Nightmares: The Media, the Right, and the Moral Panic over the City by Neil Bather

Ending the Affair: The Decline of Television Current Affairs in Australia by John Benson

Orwell Subverted: The CIA and the Filming of Animal Farm by Ina Bertrand

Wallowing in Sex: The New Sexual Culture of 1970s American Television by Susan Bye

Hollis Frampton (nostalgia) by John Conomos

Gamer Theory by John Conomos

Abel Ferrara by Anna Dzenis

The Cinema of Todd Haynes: All That Heaven Allows by David Ehrenstein

Uncanny Bodies: The Coming of Sound Film and the Origins of the Horror Genre by Tony Fonseca

Poison Woman: Figuring Female Transgression in Modern Japanese Culture by Freda Freiberg

Scenes of Instruction. The Beginnings of the U.S. Study of Film by Jan-Christopher Horak

Leni, The Life and Work of Leni Riefenstahl by Irene Jarvos

Religion and Film: An Introduction by D.B. Jones

The Piano by Hester Joyce

No Caption Needed: Iconic Photographs, Public Culture, and Liberal Democracy by Mike Lim

Avatars of Story by Martin Manning

Weimar on the Pacific: German Exile Culture in Los Angeles and the Crisis of Modernism by Harriet Margolis

The New Film History: Sources, Methods, Approaches by Ben McCann

Beyond the Epic: The Life & Films of David Lean by Brian McFarlane

Picture Perfect: Landscape, Place and Travel in British Cinema before 1930 by Brian McFarlane

The Illusion of Life 2: More Essays on Animation by Angela Ndalianis

Time Frames: Japanese Cinema and the Unfolding of History by Jaime S. Ong

Film Propaganda in Britain and Nazi Germany: World War II Cinema by Michael Paris

Ancient Greece in Film and Popular Culture by Arthur Pomeroy

Discovering Orson Welles by Thomas Redwood

The Animated Man: A Life of Walt Disney & Drawing the Line: The Untold Story of the Animation Unions from Bosko to Bart Simpson by Rick Thompson

Hollywood and the Culture Elite: How the Movies Became American by Errol Vieth

The Scar of Visibility: Medical Performances and Contemporary Art by Terrie Waddell

The Virtual Window: From Alberti to Microsoft by Saige Walton

Reconstructing American Historical Cinema: From Cimarron to Citizen Kane by Nicholas Witham