Appendix F. Film Company of Ireland filmography
Puck Fair Romance (1916, dir. J. M. Kerrigan) Woman’s Wit (1916, dir. J. M. Kerrigan) Widow Malone (1916, dir. J. M. Kerrigan) The Miser’s Gift (1916, dir. J. M. Kerrigan)…
Appendix G. Typescript of Knock-na-gow, or The Homes of Tipperary with manuscript annotations
Wharton Releasing Corporation Records, ca. 1916–1923, Division of Rare and Manuscripts Collections, Cornell University Library. #3924 Box 1. Courtesy of the Division of Rare and Manuscript Collections, Cornell University Library.…
Information from longtime Morley resident Mat Edwards
Hello Ina Just reading your webpage on the history of Drive-ins in WA. http://www.latrobe.edu.au/screeningthepast/19/drive-ins-WA.html Excellent work, I must say. Just one thing though. In the second last paragraph under the…
Issue 22 – Editorial
Screening the Past began ten years ago and this issue celebrates that decade of publishing. In the first 21 issues we ran: 153 First Run articles; 15 Classics and Re-Runs articles;…
Field survey: the poll results
As part of Screening the Past's tenth anniversary, we invited about 300 colleagues around Australia and the world to nominate the most important contributions to the field in the past decade…
List of contributors, Issues 1-21
Authors - 278 of them - published in issues 1-21 of Screening the Past STP could not exist without its contributors. The editors take this opportunity to acknowledge you and to…
Acknowledgements
The editors wish to thank Nederlands Filmmuseum for graciously allowing its restored print of The Rose of Rhodesia to receive a premiere screening in Sweden in 2007, and for making a digital…
Film Information
Title: ROSE OF RHODESIA, THE (Die Rose von Rhodesia) Director: Harold Shaw Production Date: 1918 Length: 5 reels (81 minutes) Format: 35mm, black and white, silent, full (silent) aperture Speed: 16…
Leonie Naughton’s Publications and Other Research
Compiled by Lesley Speed with William D. Routt and David Hanan Leonie Naughton’s research about German film and contemporary screen culture has received international acknowledgement. Her work has been published…
Appendix A. Plot Summary
Act I. Chief Ushakapilla wants his only son, Mofti, to become leader of all Africa. When word comes that the colonial governor has denied his request for land for a…
Appendix B. Intertitles with English translation
Intertitles have been numbered for ease of reference. English translation by Vreni Hockenjos. Intertitle 1 Erster Akt Act One Intertitle 2 Der Kraal des Häuptlings “Ushakapilla”. The kraal of Chief…
Appendix C. Press cuttings
Compiled with the generous assistance of Neil Parsons and James Burns. Fig. C1. Ink sketch of Harold Shaw, The Bioscope (London), 24 February, 1916, 759. Fig. C2. Harold Shaw on the cover…
Appendix D. Cast and crew biographies
The following biographical information has been compiled and written in collaboration with Neil Parsons, who has generously shared his research into The Rose of Rhodesia with the editors. HAROLD MARVIN SHAW (Director).…
Appendix E. Harold Shaw filmography
The following list of films directed by Harold Shaw has been compiled from various books and online databases, including Alan Goble’s Complete Index to World Film (http://www.citwf.com), the British Film…
Appendix F. Maps of Rhodesia and Southern Africa
Map 1. South Africa, circa 1900. Source unidentified. Map 2. Central and Southern Africa, 1896. George Gill, The British Colonies, Dependencies, and Protectorates (London, 1896). Map 3. Africa, 1922. The Comparative Atlas…
Appendix G. Selection of early Rhodesian ephemera
Fig. G1. The Pioneer Column of the British South Africa Company. The Graphic, 25 October 1890. Fig. G2. Tensions between the BSAC and Portugal. Punch, 5 June 1891, 266. Fig. G3. The…
Contributors
JAMES M. BURNS teaches African history at Clemson University. He is the author of Flickering Shadows: Cinema and Identity in Colonial Zimbabwe (2002) and co-author of A History of Sub-Saharan Africa (2007). He has published…
Contributors
Anke Bernau lectures in Medieval Literature and Culture at the University of Manchester. She is co-editor of Medieval Film (2009) and author of Virgins: A Cultural History (2007), and has authored numerous essays on…
Mute Dreams, Blind Owls and Dispersed Knowledges: Persian Poesis in the Transnational Circuitry
Michael M. J. Fischer responds to Thomas Redwood’s review of: Michael M. J. Fischer, Mute Dreams, Blind Owls and Dispersed Knowledges: Persian Poesis in the Transnational Circuitry. Durham & London: Duke…
Appendix A. – Plot Summary
Tipperary, 1848. The inhabitants of Kilthubber village are happily going about their business. Mat “The Thrasher” Donovan, a stalwart peasant, sings as he ploughs the fields. In Knocknagow, a nearby…
Appendix B. Cast of Knocknagow (1918)
Mat “The Thrasher” Donovan Brian Magowan Arthur O’Connor Fred O’Donovan Nora Lahy Kathleen Murphy Phil Lahy Arthur Shields Pender J. M. Carre Billy Heffernan Breffni O’Rourke Father O’Carroll Valentine Roberts…
Appendix C. Intertitles
Intertitle 1. [INDISTINCT] The Film Company of Ireland, Ltd. announces that Knocknagow is produced by arrangement with JAMES DUFFY & CO. Ltd. / Copyright Owners / Dublin. Copyright 1918 by…
Appendix D. Press cuttings
“Knocknagow: Filming of Kickham’s famous Novel: What Period? Interesting Point for Irish Historians,” The Irish Limelight (Dublin) (May 1917), 6. “KNOCKNAGOW,” the great picture play of the year for Ireland,…