Uploaded 01 March, 2001. First ReleaseWill and wilfulness: recent commentary on Hitchcock’s The Birds Ken MoggThe Un/forgiven Director Tim GrovesZarathustra’s gift in Tarkovsky’s The Sacrifice Gino MoliternoFassbinder, and Fassbinder/Peer Raben Roger HillmanA Pleasure to Watch: Jane Campion’s Narrative Cinema Sue GilletAll Lost in Wonder: Edgar G.Ulmer Tag GallagherJames Toback and The Pick-Up Artist Brad StevensThe Sound of Knocking: Jacques Becker’s Le trou Jodi BrooksSign your name across my heart, or: “I want to write about Delbert Mann” Adrian MartinAuteur desire Dana PolanReading, culture, and auteurs Tag GallagherLois Weber, or the exigency of writing Bill Routt ReviewsAlfred Hitchcock’s Rear Window, Ingmar Bergman’s Persona & Francis Ford Coppola’s Godfather Trilogy David BoydEncore Hollywood: Remaking French Cinema Colin CrispL’argent Anna DzenisRogue Reels: Oppositional Film in Britain, 1945-90 Sylvia HarveyArthur Penn’s Bonnie and Clyde Gabrielle MurrayThe Art of Visual Effects: Interviews on the Tools of the Trade Michael PowellThe Red Rooster Scare: Making Cinema American, 1900-1910 Bill RouttFeminism and Documentary Meredith SeamanA Chorus of Raspberries: British Film Comedy 1929-1939 Ben TaylorFilm Nation: Hollywood Looks at U.S History Roger BellHigh Technê: Art and Technology from the Machine Aesthetic to the Posthuman Merv BendleSilent Screens: The Decline and Transformation of the American Movie Theatre Ina BertrandScreen Histories: A Screen Reader Ina Bertrand Classics & Re-runsLuminous blows and unforeseen encounters: an introduction to Petr Král Adrian MartinTarkovsky, or the Burning House Petr KrálGermaine Dulac and Newsreel: 3 articles – Introduction Siân ReynoldsGermaine Dulac and newsreel: 3 articles Germaine Dulac
