First Release
Sign your name across my heart, or: “I want to write about Delbert Mann” by Adrian MartinAuteur desire by Dana PolanReading, culture, and auteurs by Tag GallagherLois Weber, or the exigency of writing by Bill RouttWill and wilfulness: recent commentary on Hitchcock’s The Birds by Ken MoggThe Un/forgiven Director by Tim GrovesZarathustra’s gift in Tarkovsky’s The Sacrifice by Gino MoliternoFassbinder, and Fassbinder/Peer Raben by Roger HillmanA Pleasure to Watch: Jane Campion’s Narrative Cinema by Sue GilletAll Lost in Wonder: Edgar G.Ulmer by Tag GallagherJames Toback and The Pick-Up Artist by Brad StevensThe Sound of Knocking: Jacques Becker’s Le trou by Jodi Brooks
Classics and Re-runs
Luminous blows and unforeseen encounters: an introduction to Petr Král by Adrian MartinTarkovsky, or the Burning House by Petr KrálGermaine Dulac and Newsreel: 3 articles – Introduction by Siân ReynoldsGermaine Dulac and newsreel: 3 articles by Germaine Dulac
Reviews
Film Nation: Hollywood Looks at U.S History by Roger BellHigh Technê: Art and Technology from the Machine Aesthetic to the Posthuman by Merv BendleSilent Screens: The Decline and Transformation of the American Movie Theatre by Ina BertrandScreen Histories: A Screen Reader by Ina BertrandAlfred Hitchcock’s Rear Window, Ingmar Bergman’s Persona & Francis Ford Coppola’s Godfather Trilogy by David BoydEncore Hollywood: Remaking French Cinema by Colin CrispL’argent by Anna DzenisRogue Reels: Oppositional Film in Britain, 1945-90 by Sylvia HarveyArthur Penn’s Bonnie and Clyde by Gabrielle MurrayThe Art of Visual Effects: Interviews on the Tools of the Trade by Michael PowellThe Red Rooster Scare: Making Cinema American, 1900-1910 by Bill RouttFeminism and Documentary by Meredith SeamanA Chorus of Raspberries: British Film Comedy 1929-1939 by Ben Taylor