[toggle_framed title=”First Release”]
- Fassbinder, and Fassbinder/Peer RabenRoger Hillman
- A Pleasure to Watch: Jane Campion’s Narrative CinemaSue Gillet
- All Lost in Wonder: Edgar G.UlmerTag Gallagher
- James Toback and The Pick-Up ArtistBrad Stevens
- The Sound of Knocking: Jacques Becker’s Le trouJodi Brooks
- Sign your name across my heart, or: “I want to write about Delbert Mann”Adrian Martin
- Auteur desireDana Polan
- Reading, culture, and auteursTag Gallagher
- Lois Weber, or the exigency of writingBill Routt
- Will and wilfulness: recent commentary on Hitchcock’s The BirdsKen Mogg
- The Un/forgiven DirectorTim Groves
- Zarathustra’s gift in Tarkovsky’s The SacrificeGino Moliterno
[/toggle_framed]
[toggle_framed title=”Classics and Re-runs”]
- Luminous blows and unforeseen encounters: an introduction to Petr KrálAdrian Martin
- Tarkovsky, or the Burning HousePetr Král
- Germaine Dulac and Newsreel: 3 articles – IntroductionSiân Reynolds
- Germaine Dulac and newsreel: 3 articlesGermaine Dulac
[/toggle_framed]
[toggle_framed title=”Reviews”]
- Film Nation: Hollywood Looks at U.S HistoryRoger Bell
- High Technê: Art and Technology from the Machine Aesthetic to the PosthumanMerv Bendle
- Silent Screens: The Decline and Transformation of the American Movie TheatreIna Bertrand
- Screen Histories: A Screen ReaderIna Bertrand
- Alfred Hitchcock’s Rear Window, Ingmar Bergman’s Persona & Francis Ford Coppola’s Godfather TrilogyDavid Boyd
- Encore Hollywood: Remaking French CinemaColin Crisp
- L’argentAnna Dzenis
- Rogue Reels: Oppositional Film in Britain, 1945-90Sylvia Harvey
- Arthur Penn’s Bonnie and ClydeGabrielle Murray
- The Art of Visual Effects: Interviews on the Tools of the TradeMichael Powell
- The Red Rooster Scare: Making Cinema American, 1900-1910Bill Routt
- Feminism and DocumentaryMeredith Seaman
- A Chorus of Raspberries: British Film Comedy 1929-1939Ben Taylor
[/toggle_framed]