Uploaded 01 March, 2001. First ReleaseFassbinder, and Fassbinder/Peer RabenRoger HillmanA Pleasure to Watch: Jane Campion’s Narrative CinemaSue GilletAll Lost in Wonder: Edgar G.UlmerTag GallagherJames Toback and The Pick-Up ArtistBrad StevensThe Sound of Knocking: Jacques Becker’s Le trouJodi BrooksSign your name across my heart, or: “I want to write about Delbert Mann”Adrian MartinAuteur desireDana PolanReading, culture, and auteursTag GallagherLois Weber, or the exigency of writingBill RouttWill and wilfulness: recent commentary on Hitchcock’s The BirdsKen MoggThe Un/forgiven DirectorTim GrovesZarathustra’s gift in Tarkovsky’s The SacrificeGino Moliterno ReviewsRogue Reels: Oppositional Film in Britain, 1945-90Sylvia HarveyArthur Penn’s Bonnie and ClydeGabrielle MurrayThe Art of Visual Effects: Interviews on the Tools of the TradeMichael PowellThe Red Rooster Scare: Making Cinema American, 1900-1910Bill RouttFeminism and DocumentaryMeredith SeamanA Chorus of Raspberries: British Film Comedy 1929-1939Ben TaylorFilm Nation: Hollywood Looks at U.S HistoryRoger BellHigh Technê: Art and Technology from the Machine Aesthetic to the PosthumanMerv BendleSilent Screens: The Decline and Transformation of the American Movie TheatreIna BertrandScreen Histories: A Screen ReaderIna BertrandAlfred Hitchcock’s Rear Window, Ingmar Bergman’s Persona & Francis Ford Coppola’s Godfather TrilogyDavid BoydEncore Hollywood: Remaking French CinemaColin CrispL’argentAnna Dzenis Classics & Re-runsLuminous blows and unforeseen encounters: an introduction to Petr KrálAdrian MartinTarkovsky, or the Burning HousePetr KrálGermaine Dulac and Newsreel: 3 articles – IntroductionSiân ReynoldsGermaine Dulac and newsreel: 3 articlesGermaine Dulac