Feeling Medieval: Mood and Transhistorical Empathy in Justin Kurzel’s Macbeth

Abstract: Analysing the 2015 Justin Kurzel film Macbeth, this essay develops a critical frame from phenomenology and romantic hermeneutics to illuminate the affective experience of viewing films set in the…

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Iraq, the Prequel(s): Historicising Military Occupation and Withdrawal in Kingdom of Heaven and 300

Abstract As well as being historical films, Zack Snyder’s 300 and Ridley Scott’s Kingdom of Heaven both reflect on the value and the danger of historical commemoration and amnesia. The films’ opposing stances on…

Continue ReadingIraq, the Prequel(s): Historicising Military Occupation and Withdrawal in Kingdom of Heaven and 300