JLG/Jean Améry
The death of cinema was the subject of intense theoretical concern in the final years of the twentieth century and beyond. The impending approach of the millennium as well as…
The death of cinema was the subject of intense theoretical concern in the final years of the twentieth century and beyond. The impending approach of the millennium as well as…
The small but accelerating output of Terrence Malick has largely been approached via its visual poetry. Balancing this, each film has also brought a distinctive soundtrack, in particular the extended…
The marked increase in the popularity of the ensemble film in recent decades can be understood to be a product of the form’s potential to present and reflect upon the…
The Federal Minister for Customs and Excise, Don Chipp, introduced the ‘R’ certificate for films in Australia in 1971. As is well known, Chipp’s decision was a key landmark in…
This text was first written in 1980, when I was 20 years old. I had already been published in magazines including Cinema Papers, Metro and Buff over the preceding year.…
Every shot is independent of those that together with it make up the film. A film is a collection of independent shots. When we see a film of four hundred…
In my own city I am but a consumer. I work hard at my designated task, which is to document a personal history of my purchases and stock-take carefully for…
In 1983, a long way before Leos Carax fixed on Herman Melville’s novel Pierre ou les ambiguïtés (as he knew it) for a film and TV project, I considered writing…
Introduction: I commissioned this text as part of a thirty-minute audiovisual piece titled Poetics of Pop, presented at the Clifton Hill Community Music Centre on 6 October 1982: a combination…
Kent L. Brintnall, Ecce Homo: The Male-Body-In-Pain as Redemptive Figure Chicago, IL: The University of Chicago Press, 2011 ISBN: 9 780 226074702 US$32.50 (pb). 256pp (Review copy supplied by The…
Murray Forman, One Night on TV is Worth Weeks at the Paramount: Popular Music on Early Television Duke University Press: Durham & London, 2012 ISBN: 978-082235011-8 US$27.95 (pb) 424pp (Review…
Paul Grainge (ed.), Ephemeral Media: Transitory Screen Culture from Television to YouTube British Film Institute, Palgrave Macmillan 2011 ISBN: 978184457434 US$24.95 (pb) 248pp (Review copy supplied by Palgrave Macmillan) Collected…
Olivier Assayas, A Post-May Adolescence: A letter to Alice Debord (Translated and annotated by Adrian Martin and Rachel Zerner) Vienna: Austrian Film Museum publishers, 2012 ISBN: 978-3-901644-44-3 Euro: 14,00 (pb)…
Sir Christopher Frayling, Sergio Leone Something To Do With Death (reprint edition) University of Minnesota Press, 2012 ISBN: 978-0-8166-4683-8 US $24.95 (pb) 592pp (Review copy supplied by University of Minnesota…
James Walters, Fantasy Film: A Critical Introduction Berg publishers, 2011 ISBN: 978-1-84788-308-7 US$29.95 (pb) 153pp (Review copy supplied by Berg publishers) Fantasy Film is a book written in the light…
May Adadol Ingawanij and Benjamin McKay (eds.), Glimpses of Freedom: Independent Cinema in Southeast Asia. Cornell Southeast Asia Program Publications, Ithaca, New York, 2012 ISBN: 978-0-87727-755-2 US$23.50 (pb) 239 pp…
Keith M. Johnston, Science Fiction Film: A Critical Introduction Berg Publishers, 2012 ISBN: 978-1-84788-476-3 US$29.95 (pb) 197pp (Review copy supplied by Bloomsbury Publishing) Keith M. Johnston’s Science Fiction Film: A…
Laurie N. Ede, British Film Design: A History London: I.B. Tauris, 2010 ISBN-13: 978-1848851085 £15.99 (pb) 248pp (Review copy supplied by I.B. Tauris) A Himalayan convent created in mountainous Pinewood;…
Joshua Yumibe, Moving Color: Early Film, Mass Culture, Modernism Rutgers University Press, New York, 2012. ISBN: 978-081355 2972 US$29.95(pb) 230pp (Review copy supplied by Rutgers University Press) Joshua Yumibe’s Moving…
Robert Sinnerbrink, New Philosophies of Film: Thinking Images Continuum, 2012 ISBN: 978-144115343-2 US$36.99 (pb) 264pp (Review copy supplied by Bloomsbury Publishing) Robert Sinnerbrink's New Philosophies of Film is an introduction…
Karl Schoonover, The Neorealist body in Postwar Italian cinema University of Minnesota Press, 2012 ISBN-13: 978-0816675555 US$25 (pb) 328pp (Review copy supplied by University of Minnesota Press) The scholarship on Italian…
Kent Jones (ed.), Olivier Assayas Austrian Film Museum, 2012 ISBN: 978-3-901644-436 US$30.00 (pb) 256pp (Review copy supplied by the Austrian Film Museum) In the chapter on L’Heure d’été (Summer Hours,…
Dan Callahan, The Miracle Woman Jackson: University Press of Mississippi, 2012 ISBN13: 978-1617031830 US$35 (hb) 272pp In one of her more direct moments, Barbara Stanwyck has said, “Acting is as…
Jane Mills, Jedda Currency Press, 2012 ISBN: 9780-86819-920-7 Au$16.95 (pb) 89pp (Review copy supplied by Currency Press) This ‘little book’ Jedda contains big ideas, conflicting ideas, ideas from the past…
Adrienne Munich(ed.) Fashion in Film Indiana University Press, 2011 ISBN: 978-0-253-22299-2 US$27.95(pb) 376pp (Review copy supplied by Indiana University Press) This is a joyful discovery: Fashion in Film, edited by…
Raymond Foery, Alfred Hitchcock’s Frenzy: The Last Masterpiece. Maryland and Plymouth: Scarecrow Press, Inc. ISBN 9780810877559 US $40.00 (hb) 187pp (Review copy supplied by Scarecrow Press) Alfred Hitchcock returned to…
Bill Nichols & Michael Renov (eds.), Cinema’s Alchemist: The Films of Péter Forgács Minneapolis, MN: University of Minnesota Press, 2011 ISBN: 0816648751 $US27.00 (pb) 320 pp (Review copy supplied by…
Claire Perkins and Constantine Verevis (eds.),. Film Trilogies: New Critical Approaches Palgrave MacMillan, 2012 ISBN: 978-0-230-25031-4 US$80(hb) 264pp (Review copy supplied by Palgrave Macmillan) At a time when franchise films…
Ramon Lobato, Shadow Economies of Cinema: Mapping Informal Film Distribution London: British Film Institute/Palgrave Macmillan, 2012 ISBN: 978-1-84457-411-7 US$85 (hb) 176pp (Review copy supplied by Palgrave Macmillan) Ramon Lobato opens…
Miriam Bratu Hansen, Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and Theodore Adorno University of California Press, 2012 ISBN: 978-05202656-08 US$29.95(pb) 408pp (Review copy supplied by University of California Press)…
Martin Botha, South African Cinema 1896-2010 Bristol: Intellect, 2012 ISBN: 978-1-84150-458-2 US$50.00 (pb) 307pp (Review copy supplied by Intellect) “Taking an inclusive approach to South African film history, this volume…
Justus Nieland, David Lynch University of Illinois Press, Chicago, 2012 ISBN: 978-0-252-07851-4 US$22.00 (pb) 194 pp (Review copy supplied by University of Illinois Press) The films of David Lynch have…
The motivations for this article originally had their genesis in a knee-jerk reaction to the barrage of bad rock journalism that is continuing to pick up momentum here in Melbourne.…
Beyond six rivers and three mountain ranges rises Zora, a city that no one, having seen it, can forget. But not because, like other memorable cities, it leaves an unusual…
… I’m coming from something to that, and from that going to something. So I always did everything as an arc. I never did this without hanging here and groping…
Petulia (1968) sits at a crucial juncture in American/British director Richard Lester’s career. Some elements of its filigreed and somewhat hyperactive style relate it clearly to the often kinetic films…
Black screen: indistinct voices: the sound of laboured breathing. Cut to the image of a young man, Ismael (Bahram Radan), his body writhing uncontrollably, overtaken by a sudden violent seizure.…