Digital artifact: inadvertent superimposition of two consecutive frames from the final shot/reverse shot volley of Raúl Ruiz’s Shattered Image (aka Jessie, 1998), featuring Anne Parillaud in a double role. Uploaded 23 December, 2012. First ReleaseMalick’s Music of the Spheres: The Tree of LifeRoger HillmanEnsemble Film, Postmodernity and Moral MappingLorraine SimThe Sydney and Melbourne Film Festivals, and the Liberalisation of Film Censorship in AustraliaCathy Hope and Adam DickersonHanging Here and Groping There: On Raúl Ruiz’s “The Six Functions of the Shot”Adrian MartinThe Art of Falling Apart: Petulia and the Fate of Richard LesterAdrian DanksTending the Wounds of the Nation: Gender in Contemporary Iranian War CinemaMichelle LangfordJLG/Jean AméryAlan Wright Vikki Riley (1962-2012): Early WritingsCaught … Sunless and The State of Things (1984)Vikki Riley‘This Magazine is for Airing Personal Complaints’ (1983)Vikki RileyVOLA X (Introduction)Adrian MartinPoetics of Pop: The Titles of Things (1982)Vikki RileyThe Canonisation of Junk (1982)Vikki Riley Classics & Re-runsWhich Hollywood? Which Ophuls?Adrian MartinThe Six Functions of the ShotRaúl Ruiz Web-teque Adrian Martin interview about his book Last Day Every Day: Figural Thinking from Auerbach and Kracauer to Agamben and Brenez, interviewer Anna Dzenis ReviewsSergio Leone Something To Do With Death (reprint edition)Patrick CondliffeSouth African Cinema 1896-2010Suzanne WoodwardFantasy Film: A Critical IntroductionMichael GrantDavid LynchJosh NelsonGlimpses of Freedom: Independent Cinema in Southeast Asia.David HananMoving Color: Early Film, Mass Culture, ModernismMaura EdmondScience Fiction Film: A Critical IntroductionAdam KneeBritish Film Design: A HistoryBrian McFarlaneNew Philosophies of Film: Thinking ImagesSarinah MasukorThe Neorealist body in Postwar Italian cinemaLuca PerettiOlivier AssayasClaire PerkinsThe Miracle WomanEloise RossJeddaShane SmithersFashion in FilmSue ThomasAlfred Hitchcock’s Frenzy: The Last MasterpieceJay Daniel ThompsonEcce Homo: The Male-Body-In-Pain as Redemptive FigureJeremy V. AdolphsonCinema’s Alchemist: The Films of Péter ForgácsJeni ThornleyOne Night on TV is Worth Weeks at the Paramount: Popular Music on Early TelevisionLauren AndersonFilm Trilogies: New Critical ApproachesJohn VanderhoefEphemeral Media: Transitory Screen Culture from Television to YouTubeRebecca Bell-MetereauShadow Economies of Cinema: Mapping Informal Film DistributionMike WalshA Post-May Adolescence: A letter to Alice DebordJan BryantCinema and Experience: Siegfried Kracauer, Walter Benjamin, and Theodore AdornoTyson Wils