Uploaded 22 December, 2009. Special Issue: Early EuropeFrom Mythic History to Cinematic Poetry: Terrence Malick’s The New World Viewed Robert SinnerbrinkMusic for Myth and Fantasy in Two Arthurian Films Helen DellMedieval Reimaginings: Female Knights in Children’s Television Narelle CampbellIraq, the Prequel(s): Historicising Military Occupation and Withdrawal in Kingdom of Heaven and 300 Louise D’ArcensReel Medici Mobsters? The Medici: Godfathers of the Renaissance Reassessed Christina Loong“A Continuous Return”: Tristan and Isolde, Wagner, Hollywood and Bill Viola Laura GintersThree Thrusts at Excalibur Raúl RuizContributors EditorScreening Early Europe: Premodern Projections Louise D’ArcensThe Long Path Back: Medievalism and Film Adrian MartinTransparent Walls: Stained Glass and Cinematic Medievalism Stephanie TriggSuspended Animation: Myth, Memory and History in Beowulf Anke Bernau“We are the Monsters Now”: The Genre Medievalism of Robert Zemeckis’ Beowulf Sylvia Kershaw and Laurie Ormond First ReleaseFishing from the Same Stream: The New Iranian Cinema, Close-Up and the “Film-on-film” Genre Adrian DanksPlaying Empire: Settler Masculinities, Adventure, and Merian C. Cooper’s The Four Feathers (US 1929) Peter LimbrickStrike Me Lucky: Social Difference and Consumer Culture in Roy Rene’s Only Film Lesley Speed Australian Film CultureSome Early History of the Australian Film Institute: A Memoir of the 1970s Ina Bertrand‘The Circulation of Ideas’: An Interview with Tom O’Regan Deane WilliamsShifts and Interventions: Cultural Materialism and Australian Film History Deane Williams ReviewsScreening a Lynching: The Leo Frank Case on Film and Television Ryan CookHollywood’s Cold War Craig MartinVocal Tracks: Performance and Sound Media Maura EdmondScorsese by Ebert Josh NelsonHong Kong New Wave Cinema (1978-2000) Victor FanCrisis and Capitalism in Contemporary Argentine Cinema Violeta PolitoffThe Encyclopedia of British Film (Third Edition) Mike FlemingFilm World: Interviews with Cinema’s Leading Directors Thomas RedwoodA Critical Handbook of Japanese Film Directors: From the Silent Era to the Present Day Freda FreibergScreen Media: Analysing Film and Television Christopher RoweKey Readings in Media Today: Mass Communication in Contexts Gin Chee TongFilm Festival Yearbook 1: The Festival Circuit Kirsten StevensPicturing American Modernity: Traffic, Technology, and the Silent Cinema Frances GuerinCreative Nation: Australian Cinema and Cultural Studies Reader Jay Daniel ThomasDark Places: The Haunted House in Film Alexandra Heller-NicholasJohnnie To Kei-fung’s PTU Mike WalshBeyond the Subtitle: Remapping European Art Cinema Roger HillmanVincente Minnelli: The Art of Entertainment Mike WalshThe Fun Factory: The Keystone Film Company and the Emergence of Mass Culture Jan-Christopher HorakThe Cinema of Naruse Mikio: Women and Japanese Modernity Mike WalshAlbert Maysles Irene JarvosNeo-Romantic Landscapes: An Aesthetic Approach to the Films of Powell and Pressburger Tony WilliamsRaymond Longford’s The Sentimental Bloke: The Restored Version Ina BertrandMovie Greats: A Critical Study of Classic Cinema D.B. JonesSeeing Witness: Visuality and the Ethics of Testimony Janice YuHollywood in the Neighbourhood: Historical Case Studies of Local Moviegoing Ina BertrandScreenwriting: History, Theory and Practice Harry KirchnerLoving and Hating Hollywood: Reframing Global and Local Cinemas Nathalie BrillonOut of Asia: The Films of Akira Kurosawa, Satyajit Ray, Abbas Kiraostami, and Zhang Yimou; Essays… Roger MacyWort und Fleisch: Kino zwischen Text und Körper/ Word and Flesh: Cinema between Text and the… Adam BroinowskiTurkish Cinema: Identity, Distance and Belonging Harriet MargolisFrom Plato to Lumière: Narration and Monstration in Literature and Cinema Rachael CameronJane Campion Harriet Margolis
