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| Digital artifact: inadvertent superimposition of two consecutive frames from the final shot/reverse shot volley of Raúl Ruiz’s Shattered Image (aka Jessie, 1998), featuring Anne Parillaud in a double role. |
Uploaded 23 December, 2012.
First Release
Hanging Here and Groping There: On Raúl Ruiz’s “The Six Functions of the Shot” by Adrian Martin
The Art of Falling Apart: Petulia and the Fate of Richard Lester by Adrian Danks
Tending the Wounds of the Nation: Gender in Contemporary Iranian War Cinema by Michelle Langford
Ensemble Film, Postmodernity and Moral Mapping by Lorraine Sim
JLG/Jean Améry by Alan Wright
Malick’s Music of the Spheres: The Tree of Life by Roger Hillman
The Sydney and Melbourne Film Festivals, and the Liberalisation of Film Censorship in Australia by Cathy Hope and Adam Dickerson
Vikki Riley (1962-2012): Early Writings
VOLA X (Introduction) by Adrian Martin
The Canonisation of Junk (1982) by Vikki Riley
Poetics of Pop: The Titles of Things (1982) by Vikki Riley
‘This Magazine is for Airing Personal Complaints’ (1983) by Vikki Riley
Caught … Sunless and The State of Things (1984) by Vikki Riley
Classics and Re-runs
Which Hollywood? Which Ophuls? by Adrian Martin
The Six Functions of the Shot by Raúl Ruiz
Reviews
Ecce Homo: The Male-Body-In-Pain as Redemptive Figure by Jeremy V. Adolphson
One Night on TV is Worth Weeks at the Paramount: Popular Music on Early Television by Lauren Anderson
Ephemeral Media: Transitory Screen Culture from Television to YouTube by Rebecca Bell-Metereau
A Post-May Adolescence: A letter to Alice Debord by Jan Bryant
Sergio Leone Something To Do With Death (reprint edition) by Patrick Condliffe
Moving Color: Early Film, Mass Culture, Modernism by Maura Edmond
Fantasy Film: A Critical Introduction by Michael Grant
Glimpses of Freedom: Independent Cinema in Southeast Asia. by David Hanan
Science Fiction Film: A Critical Introduction by Adam Knee
British Film Design: A History by Brian McFarlane
New Philosophies of Film: Thinking Images by Sarinah Masukor
David Lynch by Josh Nelson
The Neorealist body in Postwar Italian cinema by Luca Peretti
Olivier Assayas by Claire Perkins
The Miracle Woman by Eloise Ross
Jedda by Shane Smithers
Fashion in Film by Sue Thomas
Alfred Hitchcock’s Frenzy: The Last Masterpiece by Jay Daniel Thompson
Cinema’s Alchemist: The Films of Péter Forgács by Jeni Thornley
Film Trilogies: New Critical Approaches by John Vanderhoef
Shadow Economies of Cinema: Mapping Informal Film Distribution by Mike Walsh
Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and Theodore Adorno by Tyson Wils
South African Cinema 1896-2010 by Suzanne Woodward