Uploaded 06 December, 2022. First ReleaseThe Ahuman Spectator: Art, Activism, Anthropocene and ApocalypsePatricia MacCormackThe “It Girl”: Clara Bow’s Star Persona, Scandal and CelebrityChristina BurrThe Imperial Gaze Returned: Reviewing the Visual Archive of Australia’s First Modern Royal TourShane BreynardThe Back of Beyond (1954): Pre-Production ContextsDeane WilliamsSmall PleasuresMurray PomeranceSystematically Stoned: The Stoner Film as GenreAdrian SlatteryCritical Communication and the Coming of Sound: How Talkies (Re)Made the Film ReviewTom O’Regan & Huw Walmsley-EvansSouthern Connections: Nation(s), Logistics & Infrastructures, and Cultural CirculationTom O′ReganA Censorious Affair: Pier Paolo Pasolini’s Salò, or The 120 Days of Sodom’s Battle with the…Jade JontefBlasted Space: Anthony MannSeth Barry WatterReenactment and Critical HistoryAngelos KoutsourakisOn-screening and Off-screeningJoshua SchulzeDevouring Time: Circling Existential Crises in Dark (2017) and Russian Doll (2019)Alex Vickery-Howe & Lisa Harper CampbellNeither Head nor Tail: Photogénie, Figuration, SensationJames ThompsonSpectres of Revolution and Reality: Paris, Performance, and Virtuality in Jacques Rivette’s Out 1Hamish Ford ReviewsTerrence Malick: Filmmaker and PhilosopherHanne SchelstraeteMike Nichols: A Life and Nichols and May: InterviewsTom RyanThe Films of Douglas Sirk: Exquisite Ironies and Magnificent ObsessionsAnna Dzenis Classics & Re-runsSombre: Notes of IntentionPhilippe GrandrieuxJacques Rozier on French CancanJacques RozierNicholas Ray According to Jacques LourcellesAdrian Martin
