Uploaded 04 December, 2008. First ReleaseJean-Luc Godard’s Histoire(s) du cinéma OR “Memory of the world” (a lecture) Laleen JayamannelIntersections Sam RohdieManny Farber and Patricia Patterson Interviewed Rick ThompsonIntroduction to Australian Film Theory and Criticism Project Interviews Deane WilliamsAgainst the Flow of Time: Michael Mann and Edward Hopper Tim Groves & Costas ThrasyvoulouSay it with generic maps: Genre, identity and flowers in Michael Mann’s Collateral Luis M. Garcia-MainarThe Carlton Ripple and the Australian Film Revival Bruce Hodsdon ReviewsNightmare Japan: Contemporary Japanese Horror Cinema Ryan CookIt’s So French! Hollywood, Paris, and the Making of Cosmopolitan Film Culture Irene JarvosProfanations Daniel RossFilm Architecture and the Transnational Imagination: Set Design in 1930s European Cinema Colin CrispCinematic Identity: Anatomy of a Problem Film D.B. JonesFull Metal Apache: Transactions Between Cyberpunk Japan and Avant-Pop America Gerald SimLooking Past the Screen: Case Studies in American Film History and Method Colin CrispNight Mail D.B. JonesDonnie Darko (Cultographies Series) Justin SmithPerspectives on European Film and History Colin CrispFramed Time: Toward a Postfilmic Cinema Mike LimMedium Cool: Music Videos from Soundies to Cellphones Darren ToftsThe Byronic Hero in Film, Fiction, and Television Tom CrosbieOnce Were Warriors: The Aftermath. The Controvery of OWW in Aotearoa New Zealand Harriet MargolisThe Virtual Life of Film Charles TuttonScience Fiction Cinema: Between Fantasy and Reality James CurnowBecoming Visionary: Brian De Palma’s Cinematic Education of the Senses Adrian MartinBombay Cinema: An Archive of the City Mike WalshQuota Quickies: The Birth of the British ‘B’ Film Wheeler Winston DixonPhallic Panic Craig MartinBrand Hollywood: Selling Entertainment in a Global Media Age Mike WalshWar Cinema. Hollywood on the Front Line Philip DwyerCinema and Sensation: French Film and the Art of Transgression Ben McCannRobot Ghosts and Wired Dreams: Japanese Science Fiction from Origins to Anime Mike WalshFeature Review: Ford At Fox Bill RouttBody Shots: Early Cinema’s Incarnations Anna DzenisThe Wrong House: The Architecture of Alfred Hitchcock Ken MoggThe Urban Generation: Chinese Cinema and Society at the Turn of the Twenty-First Century Mike WalshScreening Modernism: European Art Cinema 1950-1980 Richard ArmstrongSleaze Artists: Cinema at the Margins of Taste, Style, and Politics Maura EdmondStupendous, Miserable City: Pasolini’s Rome Gino MoliternoReading the French New Wave: Critics, Writers and Art Cinema in France Catherine WheatleyDance Hall and Picture Palace: Sydneys Romance with Modernity Ina BertrandThe Changing Face of Evil in Film and Television Tony FonsecaThe Rocky Horror Picture Show (Cultographies) Megan O’DonnellAustralian Postwar Documentary Film: An Arc of Mirrors Ina BertrandItalian Film in the Shadow of Auschwitz Freda FreibergFilm Hieroglyphs: Ruptures in Classical Cinema (new introduction) Des O’RaweDavid Cronenberg: Author or Film-maker? Nathalie BrillonCinema and Fascism: Italian Film and Society, 1922-1943 Sabine HakeThe Naval War Film: Genre, History, National Cinema Michael ParisAllegorical Images: Tableau, Time and Gesture in the Cinema of Werner Schroeter Felicity CollinsThe Routledge Companion to Gothic Alexandra Heller-NicholasJacobean Visions: Webster, Hitchcock, and Google Culture Leland PoagueMontage (Cinema Aesthetics) Tom ConleyCinema Babel: Translating Global Cinema Steven P HillState of Play: Contemporary “High-End” TV Drama Paul RamaekerThe Adventures of Priscilla, Queen of the Desert (Australian Screen Classics Series) John ConomosWomen’s Experimental Cinema. Critical Frameworks Jan-Christopher HorakFilm and Dreams: Tarkovsky, Bergman, Sokurov, Kubrick and Wong Kar-wai Thomas Redwood
