Fifty Years Later: The Afterlives of Medium Cool
In the introduction to the anthology May '68 and Its Afterlives, Kristin Ross clarifies that her use of the term 'afterlife' should not be taken to refer to the cascade…
“We Have a Visitor”: Boundary Crossings and White Allyship in Haskell Wexler’s The Bus and Medium Cool
In an early scene from Medium Cool (1969) a television cameraman, John (Robert Forster), and his sound recordist, Gus (Peter Bonerz), visit Resurrection City, a temporary shantytown erected on the…