Uploaded 02 July, 2003. First ReleaseAll that is, is Light Arthur CantrillHistory, Memory, and the Politics of Programming: The Video Work of Richard Fung Keith BeattieShaka Zulu and Visual Constructions of History Keyan G Tomaselli ReviewsClassic Hollywood, Classic Whiteness Chris BerryThe Films of Mike Leigh: Embracing the World Mas GenerisNew Screen Media: Cinema/Art/Narrative Darren ToftsThe Cinema of Hong Kong: History, Arts, Identity Mike WalshStraight Roads and Crossed Lines: The Quest for Film Culture in Australia? Deb VerhoevenMovie Wars: How Hollywood and the media limit what films we can see Richard ArmstrongLeni Riefenstahl: The Seduction of Genius Erin BraniganThat was the Wild East: Film Culture, Unification and the “New” Germany Thomas ElsaesserMaya Deren and the American Avant-Garde Erin BraniganVertigo Tim GrovesThird Take: Australian Film-makers Talk Fincina HopgoodA Night to Remember: The Definitive Titanic Film Geoff MayerThe Cinema of Economic Miracles: Visuality and Modernization in the Italian Art Film Gino MoliternoCanvas Documentaries: Panoramic Entertainments in Nineteenth-Century Australia and New Zealand Ina BertrandLen Lye: A Biography Ina BertrandDisintegrating the Musical: Black Performance and American Musical Film Jodi BrooksDigital Hemlock: Digital Education and the Poisoning of Teaching John HannonBollywood Cinema: Temples of Desire John SinclairThe Garden in the Machine: A Field Guide to Independent Films about Place Adrian DanksRobert Altman’s Subliminal Reality June WerrettThe Mad Max Movies Anna DzenisIvan the Terrible Kristin ThompsonPositif 50 years: Selections from the French film journal Adrian MartinThe Media & Communications in Australia Lata Satyen Classics & Re-runsThe grand style of the epoch. Baise-moi – girls better than maenads, darker than furies Nicole Brenez
