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    • Issue 29: Special Issue: Cinema & Photography: Beyond Representation
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Issue 12 – First Release

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  2. Issue 12 – First Release

Sign your name across my heart, or: “I want to write about Delbert Mann”

  • Post author:Adrian Martin
  • Post published:December 23, 2014
  • Post category:Issue 12 - First Release

Uploaded 1 March 2001 I am speaking of the auteur in a strict sense of the term: the auteur of literary or artistic works. Not the auteur of a crime,…

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Auteur desire

  • Post author:Dana Polan
  • Post published:December 23, 2014
  • Post category:Issue 12 - First Release

Uploaded 1 March 2001 An anecdote... In the 1980s, the film study program I was teaching in received authorization to make a new hire. One of the candidates we brought…

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Lois Weber, or the exigency of writing

  • Post author:Bill Routt
  • Post published:December 23, 2014
  • Post category:Issue 12 - First Release

[1] Uploaded 1 March 2001 Table of contents 1. The exigency of writing 2. On writing and directing 3. Lois Weber, writer of cinema 4. Lois Weber, writing exigence 5.…

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Will and wilfulness: recent commentary on Hitchcock’s The Birds

  • Post author:Ken Mogg
  • Post published:December 23, 2014
  • Post category:Issue 12 - First Release

Uploaded 1 March 2001 Preliminary reading [B]irds seem to combine the absence of emotion with irrational drive and therefore epitomize blind nature in contradistinction to the human, and this makes…

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The Un/forgiven Director

  • Post author:Tim Groves
  • Post published:December 23, 2014
  • Post category:Issue 12 - First Release

Uploaded 1 March 2001 The growing literature on Unforgiven (US 1992) suggests that the film attempts to examine several intersecting concerns. [1]  These include generic issues pertaining to the western, such as…

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Zarathustra’s gift in Tarkovsky’s The Sacrifice

  • Post author:Gino Moliterno
  • Post published:December 23, 2014
  • Post category:Issue 12 - First Release

Uploaded 1 March 2001 Tarkovsky with a photograph of the house from The Sacrifice not the foreknowledge of death but the project of seeing conscious life rescued from death defines and…

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Fassbinder, and Fassbinder/Peer Raben

  • Post author:Roger Hillman
  • Post published:December 23, 2014
  • Post category:Issue 12 - First Release

Uploaded 1 March 2001 Fassbinder and auteurism Fassbinder's own indelible presence largely operated within a tightly knit, even claustrophobic, group of regular colleagues. Hanna Schygulla for one is remembered as…

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A Pleasure to Watch: Jane Campion’s Narrative Cinema

  • Post author:Sue Gillet
  • Post published:December 23, 2014
  • Post category:Issue 12 - First Release

Uploaded 1 March 2001 Introduction This paper is an exploration of the pleasurable aspects of the visual and narrative dimensions of Jane Campion's cinema, especially for women. In what is…

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All Lost in Wonder: Edgar G.Ulmer

  • Post author:Tag Gallagher
  • Post published:December 23, 2014
  • Post category:Issue 12 - First Release

Uploaded 1 March 2001 for Bill Krohn Edgar G.Ulmer (1904-72) suffered a series of strokes and toward the end of his life was almost totally paralyzed and unable to speak.…

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James Toback and The Pick-Up Artist

  • Post author:Brad Stevens
  • Post published:December 23, 2014
  • Post category:Issue 12 - First Release

Uploaded 1 March 2001 "It's a comedy about subjects which more easily lend themselves to tragedy (...)The Pick-Up Artist was more of a collaboration than any other film by far,…

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The Sound of Knocking: Jacques Becker’s Le trou

  • Post author:Jodi Brooks
  • Post published:December 23, 2014
  • Post category:Issue 12 - First Release

Uploaded 1 March 2001 Jacques Becker's Le trou (The Hole France 1960) is a particular kind of sound film. It captures your ears, takes them and holds them weightless as it traces a sensory…

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Reading, culture, and auteurs

  • Post author:Tag Gallagher
  • Post published:December 23, 2014
  • Post category:Issue 12 - First Release

Uploaded 1 March 2001 Why did it become fashionable to say we are "reading" a film? One reads a score; one hears music. One may read a score while hearing,…

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