Skip to content
Screening the Past
  • Current Issue
  • Back Issues
    • Issue 45
    • Issue 44
    • Issue 43
    • Issue 42
    • Issue 41
    • Issue 40
    • Issue 39
    • Issue 38
    • Issue 37
    • Issue 36
    • Issue 35
    • Issue 34
    • Issue 33
    • Issue 32
    • Issue 31
    • Issue 30
  • Occasional Papers
    • An Interview with Olivier Assayas – 1997
    • Tears of Gaza
  • Publications
  • Webteque
  • Events
  • About Us
  • Archives
    • Issue 29: Special Issue: Cinema & Photography: Beyond Representation
    • Issue 28
    • Issue 27
    • Issue 26: Special Issue: Early Europe
    • Issue 25: Special Issue: Colonial Africa on the Silent Screen: Recovering The Rose of Rhodesia (1918)
    • Issue 24
    • Issue 23
    • Issue 22
    • Issue 21
    • Issue 20
    • Issue 19
    • Issue 18: Popular music & film
    • Issue 17
    • Issue 16
    • Issue 15
    • Issue 14
    • Issue 13
    • Issue 12
    • Issue 11
    • Issue 10
    • Issue 9
    • Issue 8
    • Issue 7
    • Issue 6: Special Issue: AHR revisited
    • Issue 5
    • Issue 4
    • Issue 3
    • Issue 2
    • Issue 1
Menu Close
  • Current Issue
  • Back Issues
    • Issue 45
    • Issue 44
    • Issue 43
    • Issue 42
    • Issue 41
    • Issue 40
    • Issue 39
    • Issue 38
    • Issue 37
    • Issue 36
    • Issue 35
    • Issue 34
    • Issue 33
    • Issue 32
    • Issue 31
    • Issue 30
  • Occasional Papers
    • An Interview with Olivier Assayas – 1997
    • Tears of Gaza
  • Publications
  • Webteque
  • Events
  • About Us
  • Archives
    • Issue 29: Special Issue: Cinema & Photography: Beyond Representation
    • Issue 28
    • Issue 27
    • Issue 26: Special Issue: Early Europe
    • Issue 25: Special Issue: Colonial Africa on the Silent Screen: Recovering The Rose of Rhodesia (1918)
    • Issue 24
    • Issue 23
    • Issue 22
    • Issue 21
    • Issue 20
    • Issue 19
    • Issue 18: Popular music & film
    • Issue 17
    • Issue 16
    • Issue 15
    • Issue 14
    • Issue 13
    • Issue 12
    • Issue 11
    • Issue 10
    • Issue 9
    • Issue 8
    • Issue 7
    • Issue 6: Special Issue: AHR revisited
    • Issue 5
    • Issue 4
    • Issue 3
    • Issue 2
    • Issue 1

Author: Roger Hillman

This author has written 6 articles
  1. Home>
  2. Roger Hillman

Malick’s Music of the Spheres: The Tree of Life

  • Post author:Roger Hillman
  • Post published:December 15, 2012
  • Post category:Issue 35 - First Release

The small but accelerating output of Terrence Malick has largely been approached via its visual poetry. Balancing this, each film has also brought a distinctive soundtrack, in particular the extended…

Continue ReadingMalick’s Music of the Spheres: The Tree of Life

Fassbinder, and Fassbinder/Peer Raben

  • Post author:Roger Hillman
  • Post published:December 23, 2014
  • Post category:Issue 12 - First Release

Uploaded 1 March 2001 Fassbinder and auteurism Fassbinder's own indelible presence largely operated within a tightly knit, even claustrophobic, group of regular colleagues. Hanna Schygulla for one is remembered as…

Continue ReadingFassbinder, and Fassbinder/Peer Raben

Film at the Millennium

  • Post author:Roger Hillman
  • Post published:January 4, 2015
  • Post category:Issue 28 - First Release

Abstract Approaching the millennium, and in its immediate wake, a strong sense of historical lateness emerged, a very particular fin de siècle. In film history, this was immediately preceded by the…

Continue ReadingFilm at the Millennium

Alexander Kluge: The Last Modernist

  • Post author:Roger Hillman
  • Post published:December 22, 2014
  • Post category:Issue 10 - Reviews

Peter C. Lutze, Alexander Kluge: The Last Modernist. Wayne State University Press. Detroit, 1998. ISBN 0 814326 560 (pb) 296pp US$29.95 (Review copy supplied by Wayne State University Press) Uploaded…

Continue ReadingAlexander Kluge: The Last Modernist

Celluloid Symphonies: Texts and Contexts in Film Music History

  • Post author:Roger Hillman
  • Post published:October 30, 2011
  • Post category:Issue 32 - Reviews

Julie Hubbert (ed.), Celluloid Symphonies: Texts and Contexts in Film Music History Berkeley: University of California Press, 2011 ISBN: 9 780 5202410 22 US$34.95 (pb) 528pp (Review copy supplied by…

Continue ReadingCelluloid Symphonies: Texts and Contexts in Film Music History

Beyond the Subtitle: Remapping European Art Cinema

  • Post author:Roger Hillman
  • Post published:January 4, 2015
  • Post category:Issue 26 - Reviews

Mark Betz, Beyond the Subtitle: Remapping European Art Cinema. Minneapolis and London: University of Minnesota Press, 2009 ISBN: 978-0-8166-4036-2 US$25.00 (pb) 384pp (Review copy supplied by University of Minnesota Press…

Continue ReadingBeyond the Subtitle: Remapping European Art Cinema

Useful Links

  • Starter XML Content
  • About Modular
  • Online Documentation
  • Changelog
  • Support Forum
  • Customizations
  • Download More Skins

Galleries

  • Portfolio 1 Column
  • Portfolio 2 Columns
  • Portfolio 3 Columns
  • Portfolio 4 Columns
  • WordPress’s Default
  • Galleria Shortcode
  • Fancy Images
  • Multiple Galleries

Pages

  • About Us
  • Pricing Boxes
  • Services
  • Testimonials
  • Contact Us
  • Sitemap Template
  • 404 Error Page
Copyright 2025 - Screening the Past publications