Author Archive for: ‘Marina Hassapopoulou’
Interactive Cinema from Vending Machine to Database Narrative: The Case of Kinoautomat
Introduction Interactive cinema (IC) is a productive realm of inquiry in film and media studies. This area of inquiry compels us to rethink the role of film narrative in contexts of national economies, transcultural exchange, and globalization. Despite significant differences in year of release, production, marketing, and mixed media, interactive films use a diverse set of interrelated strategies to differentiate …
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