Skip to content
Screening the Past
  • Current Issue
  • Back Issues
    • Issue 45
    • Issue 44
    • Issue 43
    • Issue 42
    • Issue 41
    • Issue 40
    • Issue 39
    • Issue 38
    • Issue 37
    • Issue 36
    • Issue 35
    • Issue 34
    • Issue 33
    • Issue 32
    • Issue 31
    • Issue 30
  • Occasional Papers
    • An Interview with Olivier Assayas – 1997
    • Tears of Gaza
  • Publications
  • Webteque
  • Events
  • About Us
  • Archives
    • Issue 29: Special Issue: Cinema & Photography: Beyond Representation
    • Issue 28
    • Issue 27
    • Issue 26: Special Issue: Early Europe
    • Issue 25: Special Issue: Colonial Africa on the Silent Screen: Recovering The Rose of Rhodesia (1918)
    • Issue 24
    • Issue 23
    • Issue 22
    • Issue 21
    • Issue 20
    • Issue 19
    • Issue 18: Popular music & film
    • Issue 17
    • Issue 16
    • Issue 15
    • Issue 14
    • Issue 13
    • Issue 12
    • Issue 11
    • Issue 10
    • Issue 9
    • Issue 8
    • Issue 7
    • Issue 6: Special Issue: AHR revisited
    • Issue 5
    • Issue 4
    • Issue 3
    • Issue 2
    • Issue 1
Menu Close
  • Current Issue
  • Back Issues
    • Issue 45
    • Issue 44
    • Issue 43
    • Issue 42
    • Issue 41
    • Issue 40
    • Issue 39
    • Issue 38
    • Issue 37
    • Issue 36
    • Issue 35
    • Issue 34
    • Issue 33
    • Issue 32
    • Issue 31
    • Issue 30
  • Occasional Papers
    • An Interview with Olivier Assayas – 1997
    • Tears of Gaza
  • Publications
  • Webteque
  • Events
  • About Us
  • Archives
    • Issue 29: Special Issue: Cinema & Photography: Beyond Representation
    • Issue 28
    • Issue 27
    • Issue 26: Special Issue: Early Europe
    • Issue 25: Special Issue: Colonial Africa on the Silent Screen: Recovering The Rose of Rhodesia (1918)
    • Issue 24
    • Issue 23
    • Issue 22
    • Issue 21
    • Issue 20
    • Issue 19
    • Issue 18: Popular music & film
    • Issue 17
    • Issue 16
    • Issue 15
    • Issue 14
    • Issue 13
    • Issue 12
    • Issue 11
    • Issue 10
    • Issue 9
    • Issue 8
    • Issue 7
    • Issue 6: Special Issue: AHR revisited
    • Issue 5
    • Issue 4
    • Issue 3
    • Issue 2
    • Issue 1

Author: Rebecca Coyle and Michael Hannan

This author has written 2 articles
  1. Home>
  2. Rebecca Coyle and Michael Hannan

Marking time in the Barry McKenzie films’ music

  • Post author:Rebecca Coyle and Michael Hannan
  • Post published:December 30, 2014
  • Post category:Issue 18 - First Release

Midway through The Adventures of Barry McKenzie, at an underground gig in 1970s London, the central protagonist is invited to perform a song that is described by the MC as one of…

Continue ReadingMarking time in the Barry McKenzie films’ music

Musical Modernism in Brian May’s Australian Film Scores

  • Post author:Rebecca Coyle and Michael Hannan
  • Post published:November 2, 2011
  • Post category:Issue 32 - First Release

Introduction Film music has provided a useful space for the exploration of modernist composition. It is through this association with popular film texts that audiences who were otherwise dissociated from…

Continue ReadingMusical Modernism in Brian May’s Australian Film Scores

Useful Links

  • Starter XML Content
  • About Modular
  • Online Documentation
  • Changelog
  • Support Forum
  • Customizations
  • Download More Skins

Galleries

  • Portfolio 1 Column
  • Portfolio 2 Columns
  • Portfolio 3 Columns
  • Portfolio 4 Columns
  • WordPress’s Default
  • Galleria Shortcode
  • Fancy Images
  • Multiple Galleries

Pages

  • About Us
  • Pricing Boxes
  • Services
  • Testimonials
  • Contact Us
  • Sitemap Template
  • 404 Error Page
Copyright 2026 - Screening the Past publications