Uploaded 04 May, 2010. First ReleaseThe Past is All Used Up: Orson Welles, Touch of Evil and Erasure Peter AlilunasVolatile Space, Takemitsu and the Material Contagions of Harakiri Anne RutherfordHeritage and Post-Heritage: The House of Mirth on Page and Screen John HodgkinsCinematic Intertextuality and Comic Allusion in Giorgio Mangiamele’s Ninety Nine Per Cent Gino MoliternoHitchcock Fabrics Sam Rohdie ReviewsVictorian Vogue: British Novels on the Screen Brian McFarlaneFord At Fox Part Two (c) Bill RouttTalking Movies: Contemporary World Filmmakers in Interview Jasmin McgowanPop Goes Korea: Behind the Revolution in Movies, Music, and Internet Culture Emily AshmanOrson Welles and the Unfinished RKO Projects: A Postmodern Perspective Matt WanatShining a Light: 50 Years of the Australian Film Institute Ina BertrandJohn Woo’s The Killer James BrownTurbulence and Flow in Film: The Rhythmic Design John ConomosThe Hollywood Historical Film James CurnowChris Marker: La Jetée Adrian DanksThe British ‘B’ Film Wheeler Winston DixonWavelength Wheeler Winston DixonInherent Vice: Bootleg Histories of Videotape and Copyright Tony FonsecaStudying the Event Film: The Lord of the Rings Jane M. GreenA Grammar of Murder: Violent Scenes and Film Form Alexandra Heller-NicholasAlice Guy Blaché: Cinema Pioneer Jan-Christopher HorakAtom Egoyan’s The Adjuster D.B. JonesA Theory of Narrative Mike Lim
