Issue 46 (December 2022)

Uploaded 06 December, 2022.

First Release

Neither Head nor Tail: Photogénie, Figuration, Sensation

James Thompson

Spectres of Revolution and Reality: Paris, Performance, and Virtuality in Jacques Rivette’s Out 1

Hamish Ford

The Ahuman Spectator: Art, Activism, Anthropocene and Apocalypse

Patricia MacCormack

The “It Girl”: Clara Bow’s Star Persona, Scandal and Celebrity

Christina Burr

The Imperial Gaze Returned: Reviewing the Visual Archive of Australia’s First Modern Royal Tour

Shane Breynard

The Back of Beyond (1954): Pre-Production Contexts

Deane Williams

Small Pleasures

Murray Pomerance

Systematically Stoned: The Stoner Film as Genre

Adrian Slattery

Critical Communication and the Coming of Sound: How Talkies (Re)Made the Film Review

Tom O’Regan & Huw Walmsley-Evans

Southern Connections: Nation(s), Logistics & Infrastructures, and Cultural Circulation

Tom O′Regan

A Censorious Affair: Pier Paolo Pasolini’s Salò, or The 120 Days of Sodom’s Battle with the…

Jade Jontef

Blasted Space: Anthony Mann

Seth Barry Watter

Reenactment and Critical History

Angelos Koutsourakis

On-screening and Off-screening

Joshua Schulze

Devouring Time: Circling Existential Crises in Dark (2017) and Russian Doll (2019)

Alex Vickery-Howe & Lisa Harper Campbell

Reviews

Terrence Malick: Filmmaker and Philosopher

Hanne Schelstraete

Mike Nichols: A Life and Nichols and May: Interviews

Tom Ryan

The Films of Douglas Sirk: Exquisite Ironies and Magnificent Obsessions

Anna Dzenis

Classics & Re-runs

Sombre: Notes of Intention

Philippe Grandrieux

Jacques Rozier on French Cancan

Jacques Rozier

Nicholas Ray According to Jacques Lourcelles

Adrian Martin