First Release
All that is, is Light by Arthur CantrillHistory, Memory, and the Politics of Programming: The Video Work of Richard Fung by Keith BeattieShaka Zulu and Visual Constructions of History by Keyan G Tomaselli
Reviews
The Garden in the Machine: A Field Guide to Independent Films about Place by Adrian DanksThe Mad Max Movies by Anna DzenisPositif 50 years: Selections from the French film journal by Adrian MartinClassic Hollywood, Classic Whiteness by Chris BerryNew Screen Media: Cinema/Art/Narrative by Darren ToftsStraight Roads and Crossed Lines: The Quest for Film Culture in Australia? by Deb VerhoevenLeni Riefenstahl: The Seduction of Genius by Erin BraniganMaya Deren and the American Avant-Garde by Erin BraniganThird Take: Australian Film-makers Talk by Fincina HopgoodA Night to Remember: The Definitive Titanic Film by Geoff MayerThe Cinema of Economic Miracles: Visuality and Modernization in the Italian Art Film by Gino MoliternoCanvas Documentaries: Panoramic Entertainments in Nineteenth-Century Australia and New Zealand by Ina BertrandLen Lye: A Biography by Ina BertrandDisintegrating the Musical: Black Performance and American Musical Film by Jodi BrooksDigital Hemlock: Digital Education and the Poisoning of Teaching by John HannonBollywood Cinema: Temples of Desire by John SinclairRobert Altman’s Subliminal Reality by June WerrettIvan the Terrible by Kristin ThompsonThe Media & Communications in Australia by Lata SatyenThe Films of Mike Leigh: Embracing the World by Mas GenerisThe Cinema of Hong Kong: History, Arts, Identity by Mike WalshMovie Wars: How Hollywood and the media limit what films we can see by Richard ArmstrongThat was the Wild East: Film Culture, Unification and the “New” Germany by Thomas ElsaesserVertigo by Tim Groves