Uploaded 06 December, 2022.
The Ahuman Spectator: Art, Activism, Anthropocene and Apocalypse by Patricia MacCormackReenactment and Critical History by Angelos KoutsourakisSpectres of Revolution and Reality: Paris, Performance, and Virtuality in Jacques Rivette’s Out 1 by Hamish FordSouthern Connections: Nation(s), Logistics & Infrastructures, and Cultural Circulation by Tom O′ReganCritical Communication and the Coming of Sound: How Talkies (Re)Made the Film Review by Tom O’Regan & Huw Walmsley-EvansSystematically Stoned: The Stoner Film as Genre by Adrian SlatteryDevouring Time: Circling Existential Crises in Dark (2017) and Russian Doll (2019) by Alex Vickery-Howe & Lisa Harper CampbellBlasted Space: Anthony Mann by Seth Barry WatterOn-screening and Off-screening by Joshua SchulzeNeither Head nor Tail: Photogénie, Figuration, Sensation by James ThompsonSmall Pleasures by Murray PomeranceThe Back of Beyond (1954): Pre-Production Contexts by Deane WilliamsThe “It Girl”: Clara Bow’s Star Persona, Scandal and Celebrity by Christina BurrA Censorious Affair: Pier Paolo Pasolini’s Salò, or The 120 Days of Sodom’s Battle with the Australian Censors by Jade JontefThe Imperial Gaze Returned: Reviewing the Visual Archive of Australia’s First Modern Royal Tour by Shane Breynard
Terrence Malick: Filmmaker and Philosopher by Hanne SchelstraeteMike Nichols: A Life and Nichols and May: Interviews by Tom RyanThe Films of Douglas Sirk: Exquisite Ironies and Magnificent Obsessions by Anna Dzenis
Classics and Re-runs
Sombre: Notes of Intention by Philippe GrandrieuxJacques Rozier on French Cancan by Jacques RozierNicholas Ray According to Jacques Lourcelles by Adrian Martin