Uploaded 18 November, 2010.Guest Editors: Sam Rohdie and Des O’Rawe Special Issue: Cinema & Photography: Beyond RepresentationHe’s Not There: Robert Frank’s Me and My BrotherGeorge KouvarosMonochrome Now: Digital Black and White Cinema and the Photographic PastLara ThompsonThe Album of Everyday Life: The Photograph in the Films of Nuri Bilge CeylanSarinah MasukorProfils PaysansSam RohdieCinema Lucida: Johan van der Keuken and the Meaning of LossDes O’RaweThe Time of Sculpture: Film, Photography and Auguste RodinRebecca SheehanFilm as an Archive for Photography: The Portraitist as Witness to the HolocaustFrances GuerinDavid Claerbout’s Digital Pensive ImagesJi-hoon Kim First ReleaseBeyond Characterization: Performance in 1960s Experimental CinemaWheeler Winston DixonOur Place in the WorldGeorge KouvarosInspiration and Girl in a MirrorKathy DraytonFact and Fiction: The Iraq War Film in AbsenceGabrielle Murray ReviewsWomen on the Edge: Twelve Political Film PracticesRyan Noelle BowlesUp Close: Carol Jerrems with Larry Clark, Nan Goldin and William YangAnna DzenisHollywood Catwalk: Exploring Costume and Transformation in American FilmMaura EdmondCities Surround the Countryside: Urban Aesthetics in Postsocialist ChinaVictor FanThe 21st Century Screenplay & Backstory 5: Interviews with Screenwriters of the 1990sHarry KirchnerFamous Faces Not Yet Themselves: The Misfits and Icons of Postwar AmericaMike LimWagner and CinemaCyrus ManassehBowery to Broadway: The American Irish in Classic Hollywood CinemaBrian McFarlaneFilm Narratology: Introduction to the Theory of NarrativeThomas RedwoodDreams of Difference, Songs of the Same: The Musical Moment in FilmLuke RobinsonHollywood’s Blacklists: A Political and Cultural HistoryThomas SalekReal and Reel: The Education of a Film ObsessiveLynn SmailesHammer! Making Movies out of Sex and LifeJay Daniel Thompson Classics & Re-runsBill Henson and the Devil, ProbablyAdrian MartinBill Henson and the CinematicJohn Conomos
