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Uploaded 4 October, 2017.
Dossier: Post-Kubrick
Post-Kubrick: On the Filmmaker’s Influence and Legacy by Mick BroderickCurating Kubrick: Constructing New Perspective Narratives in Stanley Kubrick Exhibitions by James FenwickFrom 2001: Space Odyssey to Avatar – Reflections on Cultural Impact and Academic Research by Peter KrämerThe Stanley Kubrick Archive: A Filmmaker’s Legacy by Richard DanielsIntertextuality, Synchronicity and Nostalgia: Trans-cultural Influences of Kubrick’s The Shining on Hong Kong Ghost Horror by Yeqi ZhuWriting and Rewriting Kubrick: Or, How I Learned to Stop Worrying About the Kubrickian Memoirs and Love Emilio D’Alessandro. by Filippo UlivieriThe Post-Kubrickian: Stanley Kubrick, Steven Spielberg, Adaptation and A.I. Artificial Intelligence by Matt MeliaKubrick’s (Dark) Shadows(s) on Contemporary Horror, Fantasy and Science Fiction by Stella LouisAnimating Kubrick – Auteur Influences in The Simpsons by Mick Broderick
Dossier: The Future of Film Studies in the Age of Media
The Future of Film Studies in the Age of Media Studies: Introduction by Constantine Verevis and Deane WilliamsTeaching Film Studies in the Age of Media Studies by Therese DavisFrom the Outside by Noel KingBefore Something and After Something Else: Film Studies in the Age of Media Studies by George KouvarosFilm, Cinema and the Digital by Angela NdalianisFilm – and Film Study – in the Age of Digitilisation by Dana Polan
First Release
Lynsey Martin’s Formalism: The Original, the Copy and the Clone by Dirk de BruynPrurient Exuberance: Early Australian Sex Hygiene Films and the Origins of Ozploitation by Lesley SpeedAficionados Americanos: A Study of Painting and Spanish Bullfighting in Julian Schnabel’s Basquiat and Dennis Hopper’s Catchfire by Joanna Elena BatsakisFlesh Memories: Embodying Personal Trauma Through The Illustrated Auschwitz by Stephanie Tell
Classics and Re-runs
The Modern Drama by Maurice Maeterlinck
Reviews
Film Modernism by Hamish Ford