Uploaded 4 April, 2018. Dossier: Materialising Absence in Film and MediaIntroduction: Materialising Absence Saige Walton and Nadine BoljkovacImaging Absence as Abjection: The Female Body in Sofia Coppola’s The Virgin Suicides Anna Backman RogersAir, Atmosphere, Environment: Film Mood, Folk Horror and The VVitch Saige WaltonLens-Sense: On Seeing a World as Sensed by a Camera Kjetil RødjePornography, Ectoplasm and the Secret Dancer: A Twin Reading of Naomi Uman’s Removed Hilary Bergen and Sandra Huber‘My Flight is the Rebellion’: History, Ghosting and Represencing in Nalini Malani’s Video Installations Livia MonnetBeyond the Archive: The Work of Remembrance in John Akomfrah’s The Nine Muses Malini GuhaThe Spectral Present: Landscapes of Absence in Once Upon a Time in Anatolia and The Headless… Adam OchonickyIn [No] Home Movie Style: Her Death and Rebirth Nadine BoljkovacAn Architecture of Light and Air, A Rhythm of Stillness: Absence in Joanna Hogg’s Exhibition Davina QuinlivanOmission, Suggestion, Completion: Film and the Imagination of the Spectator Julian Hanich Dossier: Sea Change: Transforming Industries, Screens, Texts“Something Short of Fascinating”: Re-examining Fred Zinnemann’s The Sundowners (1960) Adrian DanksEscape to the Terraform Tropics: Geography and Gender in Marine Adventure Films from Queensland Allison CravenDenegation and the Undead in Lake Mungo Kevin FisherThe Affective Force of the Scream in the Cinema of Philippe Grandrieux Michel RubinMurder by Imitation: The Influence of Se7en’s Title Sequence Tim GrovesScreen Studies Conference Dossier: Introduction Tim GrovesA Double-layered Nostalgia: ‘The Sixties,’ the Iraq War and The Beatles in Julie Taymor’s Across the… Phoebe Macrossan First Release“…And There We Were Like An Uncensored Movie!”: Sexual Tension and the Pre-Code Body in Hollywood Eloise RossThe Lost City of Cecil B. DeMille: Political Antiquity in Classical Hollywood Mark StevenThe Camp Psychiatrist in American Horror and Thriller Movies: From Psycho and The Manchurian Candidate to… Joy McEntee ReviewsCinema’s Baroque Flesh: Film, Phenomenology and the Art of Entanglement Athena BellasMS .45 (Cultographies series) Anna Dzenis Classics & Re-runsHitting the Mark (On Benoît Jacquot’s L’Assassin musicien, 1976) Jacques LacanThree Ways to Exit a Building: The Cohesive Style of Jacques Becker Adrian Martin
