Uploaded 4 April, 2018. Dossier: Materialising Absence in Film and MediaLens-Sense: On Seeing a World as Sensed by a Camera Kjetil RødjePornography, Ectoplasm and the Secret Dancer: A Twin Reading of Naomi Uman’s Removed Hilary Bergen and Sandra Huber‘My Flight is the Rebellion’: History, Ghosting and Represencing in Nalini Malani’s Video Installations Livia MonnetBeyond the Archive: The Work of Remembrance in John Akomfrah’s The Nine Muses Malini GuhaThe Spectral Present: Landscapes of Absence in Once Upon a Time in Anatolia and The Headless… Adam OchonickyIn [No] Home Movie Style: Her Death and Rebirth Nadine BoljkovacAn Architecture of Light and Air, A Rhythm of Stillness: Absence in Joanna Hogg’s Exhibition Davina QuinlivanOmission, Suggestion, Completion: Film and the Imagination of the Spectator Julian HanichIntroduction: Materialising Absence Saige Walton and Nadine BoljkovacImaging Absence as Abjection: The Female Body in Sofia Coppola’s The Virgin Suicides Anna Backman RogersAir, Atmosphere, Environment: Film Mood, Folk Horror and The VVitch Saige Walton Dossier: Sea Change: Transforming Industries, Screens, TextsThe Affective Force of the Scream in the Cinema of Philippe Grandrieux Michel RubinMurder by Imitation: The Influence of Se7en’s Title Sequence Tim GrovesScreen Studies Conference Dossier: Introduction Tim GrovesA Double-layered Nostalgia: ‘The Sixties,’ the Iraq War and The Beatles in Julie Taymor’s Across the… Phoebe Macrossan“Something Short of Fascinating”: Re-examining Fred Zinnemann’s The Sundowners (1960) Adrian DanksEscape to the Terraform Tropics: Geography and Gender in Marine Adventure Films from Queensland Allison CravenDenegation and the Undead in Lake Mungo Kevin Fisher First Release“…And There We Were Like An Uncensored Movie!”: Sexual Tension and the Pre-Code Body in Hollywood Eloise RossThe Lost City of Cecil B. DeMille: Political Antiquity in Classical Hollywood Mark StevenThe Camp Psychiatrist in American Horror and Thriller Movies: From Psycho and The Manchurian Candidate to… Joy McEntee ReviewsCinema’s Baroque Flesh: Film, Phenomenology and the Art of Entanglement Athena BellasMS .45 (Cultographies series) Anna Dzenis Classics & Re-runsHitting the Mark (On Benoît Jacquot’s L’Assassin musicien, 1976) Jacques LacanThree Ways to Exit a Building: The Cohesive Style of Jacques Becker Adrian Martin
