Uploaded 09 September, 2012.
This special issue of Screening The Past is guest edited by Dr Jodi Brooks and Dr Therese Davis.
Untimely Cinema: Cinema Out of Time by Jodi Brooks & Therese DavisSyrian Cinema: Out of Time? by Kay DickinsonThe Restoration of The Exiles: The Untimeliness of Archival Cinema by Catherine RussellA Skeleton Key to Histoire(s) du cinéma by Adrian MartinSuspended Reading: Man on Wire, 9/11, and the Logic of the High-Wire by Adam Ross RosenthalKim Ki-duk’s Aporia: The Face and Hospitality (on 3-Iron) by Steve ChoeRe-staging the Cinema: Psycho, Film Spectatorship and the Redundant New Remake by Megan CarrigyParentheses in Time: L’Année Dernière à Marienbad (1961) as Amorous Event by Alex LingMissed Beats: Unseen Cinema and a Cinema of the Unseen (or Stella Dallas, Again) by Jodi BrooksCinema Against the Age: Feminism and Contemporary Documentary by Belinda SmaillUntimely Animations: Waltz with Bashir and the Incorporation of Historical Difference by Paul Atkinson & Simon Cooper
Ten Fingers and Nine Toes: Embodied Representations of Pregnancy in Avant-Garde Cinema by Lauren BlissMapping the Cinematic Journey of Alexander Pearce, Cannibal Convict by Jane StadlerI racconti di Canterbury (Pier Paolo Pasolini)/The Canterbury Tales (Geoffrey Chaucer) by Sam RohdieThe Great Uncredited: Sir Walter Scott and Cinema by Tim DolinThe Jazz Singer: Accounting for Female Agency and Reconsidering Scholarship by Karen VeredEncountering Elusive Cinema: Tati, Straub-Huillet and Antonioni by Edgar Jorge
Directing the Avant-Garde: Raymond Durgnat interviews Stephen Dwoskin (1984) by Raymond Durgnat
Ford At Fox by Bill RouttTo Wax Zizekian: On Un-American Psycho: Brian De Palma and the Political Invisible by Adrian MartinHumphrey Jennings and British Documentary Film: A Re-Assessment by Patricia AufderheideThe Shadowcatchers: a history of cinematography in Australia by Ina BertrandPost – 9/11 Cinema: Through a Lens Darkly by Rod BishopOptic Antics: The Cinema of Ken Jacobs by Dirk de BruynDeleuze and World Cinemas by Daniel FairfaxCelluloid Immigrant: Italian Australian Filmmaker Giorgio Mangiamele by Geoff GardnerDeleuze and Cinema: The Film Concepts by Gabrielle LoweWorld Film Locations: Paris by Sarinah MasukorThe Oriental Obscene: Violence and Racial Fantasies in the Vietnam Era by Josh NelsonChina on Video: Smaller-screen realities by Tom SalekTerrence Malick and the Thought of Film by Robert SinnerbrinkWorld Film Locations: Los Angeles & World Film Locations: London by Lynn SmailesVirtual Hallyu: Korean Cinema of the Global Era by Mike WalshThe Anatomy of Harpo Marx by Wheeler Winston Dixon