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Uploaded 09 September, 2012.
This special issue of Screening The Past is guest edited by Dr Jodi Brooks and Dr Therese Davis.
Untimely Cinema: Cinema Out of Time
Untimely Cinema: Cinema Out of Time by Jodi Brooks & Therese Davis
Syrian Cinema: Out of Time? by Kay Dickinson
The Restoration of The Exiles: The Untimeliness of Archival Cinema by Catherine Russell
A Skeleton Key to Histoire(s) du cinéma by Adrian Martin
Suspended Reading: Man on Wire, 9/11, and the Logic of the High-Wire by Adam Ross Rosenthal
Kim Ki-duk’s Aporia: The Face and Hospitality (on 3-Iron) by Steve Choe
Re-staging the Cinema: Psycho, Film Spectatorship and the Redundant New Remake by Megan Carrigy
Parentheses in Time: L’Année Dernière à Marienbad (1961) as Amorous Event by Alex Ling
Missed Beats: Unseen Cinema and a Cinema of the Unseen (or Stella Dallas, Again) by Jodi Brooks
Cinema Against the Age: Feminism and Contemporary Documentary by Belinda Smaill
Untimely Animations: Waltz with Bashir and the Incorporation of Historical Difference by Paul Atkinson & Simon Cooper
First Release
Ten Fingers and Nine Toes: Embodied Representations of Pregnancy in Avant-Garde Cinema by Lauren Bliss
Mapping the Cinematic Journey of Alexander Pearce, Cannibal Convict by Jane Stadler
I racconti di Canterbury (Pier Paolo Pasolini)/The Canterbury Tales (Geoffrey Chaucer) by Sam Rohdie
The Great Uncredited: Sir Walter Scott and Cinema by Tim Dolin
The Jazz Singer: Accounting for Female Agency and Reconsidering Scholarship by Karen Vered
Encountering Elusive Cinema: Tati, Straub-Huillet and Antonioni by Edgar Jorge
Classics and Re-runs
Directing the Avant-Garde: Raymond Durgnat interviews Stephen Dwoskin (1984) by Raymond Durgnat
Reviews
Ford At Fox by Bill Routt
To Wax Zizekian: On Un-American Psycho: Brian De Palma and the Political Invisible by Adrian Martin
Humphrey Jennings and British Documentary Film: A Re-Assessment by Patricia Aufderheide
The Shadowcatchers: a history of cinematography in Australia by Ina Bertrand
Post – 9/11 Cinema: Through a Lens Darkly by Rod Bishop
Optic Antics: The Cinema of Ken Jacobs by Dirk de Bruyn
Deleuze and World Cinemas by Daniel Fairfax
Celluloid Immigrant: Italian Australian Filmmaker Giorgio Mangiamele by Geoff Gardner
Deleuze and Cinema: The Film Concepts by Gabrielle Lowe
World Film Locations: Paris by Sarinah Masukor
The Oriental Obscene: Violence and Racial Fantasies in the Vietnam Era by Josh Nelson
China on Video: Smaller-screen realities by Tom Salek
Terrence Malick and the Thought of Film by Robert Sinnerbrink
World Film Locations: Los Angeles & World Film Locations: London by Lynn Smailes
Virtual Hallyu: Korean Cinema of the Global Era by Mike Walsh
The Anatomy of Harpo Marx by Wheeler Winston Dixon