Uploaded 4 April, 2018. Dossier: Materialising Absence in Film and MediaIntroduction: Materialising AbsenceSaige Walton and Nadine BoljkovacImaging Absence as Abjection: The Female Body in Sofia Coppola’s The Virgin SuicidesAnna Backman RogersAir, Atmosphere, Environment: Film Mood, Folk Horror and The VVitchSaige WaltonLens-Sense: On Seeing a World as Sensed by a CameraKjetil RødjePornography, Ectoplasm and the Secret Dancer: A Twin Reading of Naomi Uman’s RemovedHilary Bergen and Sandra Huber‘My Flight is the Rebellion’: History, Ghosting and Represencing in Nalini Malani’s Video InstallationsLivia MonnetBeyond the Archive: The Work of Remembrance in John Akomfrah’s The Nine MusesMalini GuhaThe Spectral Present: Landscapes of Absence in Once Upon a Time in Anatolia and The Headless…Adam OchonickyIn [No] Home Movie Style: Her Death and RebirthNadine BoljkovacAn Architecture of Light and Air, A Rhythm of Stillness: Absence in Joanna Hogg’s ExhibitionDavina QuinlivanOmission, Suggestion, Completion: Film and the Imagination of the SpectatorJulian Hanich Dossier: Sea Change: Transforming Industries, Screens, Texts“Something Short of Fascinating”: Re-examining Fred Zinnemann’s The Sundowners (1960)Adrian DanksEscape to the Terraform Tropics: Geography and Gender in Marine Adventure Films from QueenslandAllison CravenDenegation and the Undead in Lake MungoKevin FisherThe Affective Force of the Scream in the Cinema of Philippe GrandrieuxMichel RubinMurder by Imitation: The Influence of Se7en’s Title SequenceTim GrovesScreen Studies Conference Dossier: IntroductionTim GrovesA Double-layered Nostalgia: ‘The Sixties,’ the Iraq War and The Beatles in Julie Taymor’s Across the…Phoebe Macrossan First Release“…And There We Were Like An Uncensored Movie!”: Sexual Tension and the Pre-Code Body in HollywoodEloise RossThe Lost City of Cecil B. DeMille: Political Antiquity in Classical HollywoodMark StevenThe Camp Psychiatrist in American Horror and Thriller Movies: From Psycho and The Manchurian Candidate to…Joy McEntee ReviewsCinema’s Baroque Flesh: Film, Phenomenology and the Art of EntanglementAthena BellasMS .45 (Cultographies series)Anna Dzenis Classics & Re-runsHitting the Mark (On Benoît Jacquot’s L’Assassin musicien, 1976)Jacques LacanThree Ways to Exit a Building: The Cohesive Style of Jacques BeckerAdrian Martin
