Issue 43 (April 2018)

Introduction: Materialising Absence by Saige Walton and Nadine Boljkovac

Imaging Absence as Abjection: The Female Body in Sofia Coppola’s The Virgin Suicides by Anna Backman Rogers

Air, Atmosphere, Environment: Film Mood, Folk Horror and The VVitch by Saige Walton

Lens-Sense: On Seeing a World as Sensed by a Camera by Kjetil Rødje

Pornography, Ectoplasm and the Secret Dancer: A Twin Reading of Naomi Uman’s Removed by Hilary Bergen and Sandra Huber

‘My Flight is the Rebellion’: History, Ghosting and Represencing in Nalini Malani’s Video Installations by Livia Monnet

Beyond the Archive: The Work of Remembrance in John Akomfrah’s The Nine Muses by Malini Guha

The Spectral Present: Landscapes of Absence in Once Upon a Time in Anatolia and The Headless Woman by Adam Ochonicky

In [No] Home Movie Style: Her Death and Rebirth by Nadine Boljkovac

An Architecture of Light and Air, A Rhythm of Stillness: Absence in Joanna Hogg’s Exhibition by Davina Quinlivan

Omission, Suggestion, Completion: Film and the Imagination of the Spectator by Julian Hanich

Screen Studies Conference Dossier: Introduction by Tim Groves

The Affective Force of the Scream in the Cinema of Philippe Grandrieux by Michel Rubin

Escape to the Terraform Tropics: Geography and Gender in Marine Adventure Films from Queensland by Allison Craven

Denegation and the Undead in Lake Mungo by Kevin Fisher

“Something Short of Fascinating”: Re-examining Fred Zinnemann’s The Sundowners (1960) by Adrian Danks

Murder by Imitation: The Influence of Se7en’s Title Sequence by Tim Groves

A Double-layered Nostalgia: ‘The Sixties,’ the Iraq War and The Beatles in Julie Taymor’s Across the Universe (2007) by Phoebe Macrossan

“…And There We Were Like An Uncensored Movie!”: Sexual Tension and the Pre-Code Body in Hollywood by Eloise Ross

The Camp Psychiatrist in American Horror and Thriller Movies: From Psycho and The Manchurian Candidate to M. Night Shymalan’s Split by Joy McEntee

The Lost City of Cecil B. DeMille: Political Antiquity in Classical Hollywood by Mark Steven

Cinema’s Baroque Flesh: Film, Phenomenology and the Art of Entanglement by Athena Bellas

MS .45 (Cultographies series) by Anna Dzenis

Hitting the Mark (On Benoît Jacquot’s L’Assassin musicien, 1976) by Jacques Lacan

Three Ways to Exit a Building: The Cohesive Style of Jacques Becker by Adrian Martin