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Uploaded 15 April, 2012.
Featuring the Nation: Knocknagow (1918) and the Film Company of Ireland
Click here to view Knocknagow (1918)
Introduction: Ireland’s Own Film by Stephen Donovan
Knocknagow, the Film Company of Ireland, and Other Irish Historical Films, 1911–1920 by Kevin Rockett
The Making of an Irish Nationalist: James Mark Sullivan and the Film Company of Ireland in America by Dan Schultz & Maryanne Felter
“Pointing a Topical Moral at the Present”: Watching Knocknagow in 1918 by Denis Condon
The Film Company of Ireland and the Irish-American Press by Gary D. Rhodes
“For the honour of old Knock-na-gow I must win”: Representing Sport in Knocknagow (1918) by Seán Crosson
Irish National Discourse in the Poems and Songs in Knocknagow (1918) by Christopher Natzén
Appendicies Appendix B. Cast of Knocknagow (1918) Appendix E. Publicity Materials Appendix F. Film Company of Ireland filmography Appendix G. Typescript of Knock-na-gow, or The Homes of Tipperary with manuscript annotations Larger than Life: Movie Stars of the 1950s by Anne Berke
History By Hollywood by Claudia Calhoun
Film Theory: An Introduction through the Senses by Felicity Collins
Michelangelo Red Antonioni Blue: Eight Reflections on Cinema by Laurie N. Ede
Saving Cinema: The Politics of Preservation by Ray Edmondson
Historical Dictionary of American Cinema by Anthony Fonseca
The Dark Mirror: Psychiatry and Film Noir by Jack Garner
D.A Pennebaker by Stephen Gaunson
Badiou and Cinema by Christian Gelder
Technologies of History: Visual Media and the Eccentricity of the Past by Mas Generis
A Little Solitaire: John Frankenheimer and American Film by Nicholas Godfrey
Je t’aime…moi non plus: Franco-British cinematic relations by Mary Harrod
Nicholas Ray: An American Journey by D.B. Jones
Cold War Femme: Lesbianism, National Identity, and Hollywood Cinema by Dion Kagan
Mike Leigh by Brian McFarlane
Knockout: The Boxer and Boxing in American Cinema by Josh Nelson
Minding Movies: Observations on the art, craft, and business of filmmaking by Tom O′Regan
Below the Line: Producers and Production Studies in the New Television Economy by Andrew Spicer
Science Fiction Film, Television, and Adaptation: Across the Screens by Ryan Taylor
Fantastic Voyages of the Cinematic Imagination: George Méliès’s Trip to the Moon by Mike Walsh
Post-Classical Cinema: An International Poetics of Film Narration by Lauren Bliss
Featuring the Nation: Knocknagow (1918) and the Film Company of Ireland
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