Issue 36 (June 2013)

The Organology of Dreams and Arche-Cinema by Bernard Stiegler

A Musical Neorealism : Jean-Luc Godard’s Une femme est une femme by Felicity Chaplin

A Trip to the Moon by George Kouvaros

Il gatto selvatico by Sam Rohdie

Not Quite by Steven Marchant

A Modern Kiều: Immigration and the Ethics of Sexuality in John Duigan’s Careless Love by Leslie Barnes

Fallout On the Beach by Mick Broderick

Hey, Little Girl: Beautiful and the “Sexualisation of Youth” by Jay Daniel Thompson

“I Dips Me Lid”: The Sentimental Bloke’s Hats by Jeannette Delamoir

Last Day Every Day: Figural Thinking from Auerbach and Kracauer to Agamben and Brenez by Cristina Álvarez López

The Horror Sensorium: Media and the Senses by Lisa Bode

Richard Linklater (Contemporary Film Directors Series) by Daniel Cape

The cinema of Michael Winterbottom by Mas Generis

Tender Comrades: A Backstory of the Hollywood Blacklist by Jan-Christopher Horak

Ride, Boldly Ride: The Evolution of the American Western by D.B. Jones

The Cinema of Eric Rohmer: Irony, Imagination, and the Social World by Ben McCann

Through Amateur Eyes: Film and Photography in Nazi Germany by Allen Meek

Cinema After Deleuze by Chris Mildren

The West Wing by Paul Ramaeker

The British Film Institute, the Government and Film Culture, 1933-2000 by Jonathan Rosenbaum

Film After Film: Or, What Became of 21st-Century Cinema? by Daniel Ross

Hyper Material For Our Very Brain by Eloise Ross

The Hollywood Family Film: A History, From Shirley Temple to Harry Potter by Adrian Schober

Mourning Films: A Critical Study of Loss and Grieving in Cinema by Costas Thrasyvoulou

What Are You Laughing At? A Comprehensive Guide to the Comedic Event by Gene Wayne

British Cinema Comedy by Tony Williams

In Search of Mystery by Bernardo Bertolucci

An Abandoned Mine: Notes on Orson Welles’ Radio Work by Adrian Martin

Falling Women and Fallible Narrators by Douglas Pye

Jazz and Cinema: An Interview with Gilles Mouëllic by Jean-Baptiste Thoret