Uploaded 21 October, 2013. Aesthetic Issues in World Cinema (Part 1) – Edited by Adrian MartinPolitical Cinema Today – The New Exigencies: For a Republic of ImagesNicole BrenezMaterialist Performance in the Digital AgeDirk de BruynSublime Materiality: Un lacSarinah MasukorInnocent When You Dream: Affect and Perception through Lucile Hadzihalilovic’s InnocenceJulie BanksForeign Bodies, Community and Trauma in the Films of Claire Denis: Beau Travail (1999), 35 Rhums…Kath DooleyEnfolding Surfaces, Spaces and Materials: Claire Denis’ Neo-Baroque Textures of SensationSaige WaltonThe Immobilised Body: Stanley Kubrick’s A Clockwork OrangeAnthony MacrisAffectless Empathy, Embodied Imagination and The Killer Inside MeJane StadlerThe Bloody Innocence of a Dream: Borges, Cammell, Tourneur and the WesternAdrian Martin & Darren ToftsWhat Do we Know When We Know Where Something Is? World Cinema and the Question of…Vinzenz Hediger First ReleaseDocumenting The Dark Side: Torture and The “War On Terror” in Zero Dark Thirty, Taxi To…Shohini ChaudhuriInteractive Cinema from Vending Machine to Database Narrative: The Case of KinoautomatMarina HassapopoulouA League of Their Own: The Impossibility of the Female Sports HeroKatharina Bonzel’Make Mine a Movie! In a Movie Theater!’ (Or on My Pay-TV Service): How America’s Theater…Deron OverpeckThe Western SuburbsNiall Lucy ReviewsFord at Fox 4Bill RouttDe-Westernizing Film StudiesRea AmitThe Cinema of Béla Tarr: The Circle ClosesOlivia HarsanHeritage Film: Nation, Genre and RepresentationDion KaganAlfred Hitchcock’s AmericaJonathan KirshnerThe Film Experience: An Introduction (3rd ed.)Kathleen LoockRosebud Sleds and Horses’ Heads: 50 of Film’s Most Evocative ObjectsBen McCannBecoming Jack Nicholson: The Masculine Persona from Easy Rider to The ShiningAdam OchonickyRabbit-Proof Fence (Australian Screen Classics Series)Lynn SmailesCinemas of the Other: A Personal Journey with Film-makers from Iran and Turkey (2nd ed.)Mike Walsh Classics & Re-runsBen Hecht’s Funny ValentineDonald PhelpsThe Aquarium Syndrome: On the Films of Michael MannJean-Baptiste Thoret
