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Uploaded 30 December, 2020.
Medium Cool dossier
Fifty Years Later: The Afterlives of Medium Cool by Stephen CharbonneauThe Woman in the Yellow Dress: Medium Cool and the gendered historiography of New Hollywood by Lawrence WebbThe Uptown Hortons: Perceptions of Urban White Poverty in a Radical Chicago by Devin HunterMedium Cool: A Statement to Cinematographers by Joshua Gleich“We Have a Visitor”: Boundary Crossings and White Allyship in Haskell Wexler’s The Bus and Medium Cool by Stephen Charbonneau
Radical Beginnings: The Birth of Cinema and Media Studies at La Trobe University dossier
Red Ants and Radicalisation: An Introduction to Radical Beginnings by Phillipe MoraRadical Beginnings: The Birth of Media and Cinema Studies at La Trobe University – Panel One by Various AuthorsRadical Beginnings: The Birth of Media and Cinema Studies at La Trobe University – Panel Two by Various AuthorsRadical Beginnings: The Birth of Media and Cinema Studies at La Trobe University – Panel Three by Various AuthorsRadical Beginnings: The Birth of Media and Cinema Studies at La Trobe University – Panel Four by Various AuthorsThe Return of Maurice: An Interview with alter ego Dave Jones by Various AuthorsMy Beginnings – Producer, critic and educator Rod Bishop recalls his days at La Trobe University by Rod BishopMataungan: The Epic That Almost Was by Ken Berryman
First Release
Elaine May: Dispassionate by Joe McElhaneyThree Small Gestures by Murray PomeranceThe Sensations of Aisthesis “Exposed” in William Castle’s The Tingler (1959) by Sharon Jane MeeInto the Neon Horizon: The Postmodern Vision of Walter Hill by John Hodgkins“The One and the Eight” and cultural production in modern China: how a poem about the Anti-Japanese War written in the 1950s was transformed as a film in the 1980s and for television in 2015. by Julian Ward
Reviews
The Thought of Stanley Cavell and Cinema: Turning Anew to the Ontology of Film a Half Century after The World Viewed by Rex ButlerMysteries of Cinema: Reflections on Film Theory, History and Culture 1982 – 2016 by Anna DzenisLiberating Hollywood. Women Directors & the Feminist Reform of 1970s American Cinema by Jan-Christopher HorakThe Structure of Complex Images by Adrian MartinV.F. Perkins on Movies: Collected Shorter Film Criticism by Tom RyanThe Maternal Imagination of Film and Film Theory by Kathy Vanhout
Classics and Re-runs
Kinopraxis and Jean-Luc Godard at Berkeley: An Interview with Bertrand Augst by Bertrand AugstKINOPRAXIS by Various AuthorsThe Proposition: Notes on Style by John Hillcoat