Issue 40: Special Dossier: Women and the Silent Screen (September 2015)

 
Eileen (Lottie Lyell) succeeds in getting out of the cellar in The Church and The Woman (1917). From the collection of the National Archives of Australia.
Uploaded 15 September, 2015.

This special issue of Screening The Past is guest edited by Dr Victoria Duckett and Dr Susan Potter.

Special Dossier: Women and the Silent Screen

dummy-img

Picturing Natacha Rambova: Design and Celebrity Performance in the 1920s

Pam Cook
dummy-img

On the Stage: Mimì Aylmer’s Public and Private Life as a Performance

Elena Mosconi and Maddalena Bodini
dummy-img

New Zealand film pioneer: Hilda Maud Hayward (1898 – 1970)

Diane Pivac, with a foreword by Mark Sweeney
dummy-img

Lottie Lyell: the silent work of an early Australian scenario writer

Margot Nash
dummy-img

A Doll’s House and the Performance of Gender in American Silent Cinema

Eirik Frisvold Hanssen
dummy-img

Dance Pictures: The Cinematic Experiments of Anna Pavlova and Rita Sacchetto

Mary Simonson
dummy-img

Feminist Media Historiography and the Work Ahead

Shelley Stamp
dummy-img

Introduction: Women and the Silent Screen

Victoria Duckett and Susan Potter
dummy-img

Sex Matters: The Rise of Early Hollywood

Hilary A. Hallett
dummy-img

“A Great New Field for Women Folk”: Newspapers and the Movies, 1911-1916

Richard Abel
dummy-img

Re-assessing the Demise of the McDonagh Sisters

Ann-Marie Cook