 |
Uploaded 15 April, 2012.
Featuring the Nation: Knocknagow (1918) and the Film Company of Ireland
Click here to view Knocknagow (1918)
Featuring the Nation: Knocknagow (1918) and the Film Company of Ireland
Introduction: Ireland’s Own Film by Stephen DonovanKnocknagow, the Film Company of Ireland, and Other Irish Historical Films, 1911–1920 by Kevin RockettThe Making of an Irish Nationalist: James Mark Sullivan and the Film Company of Ireland in America by Dan Schultz & Maryanne Felter“Pointing a Topical Moral at the Present”: Watching Knocknagow in 1918 by Denis CondonThe Film Company of Ireland and the Irish-American Press by Gary D. Rhodes“For the honour of old Knock-na-gow I must win”: Representing Sport in Knocknagow (1918) by Seán CrossonIrish National Discourse in the Poems and Songs in Knocknagow (1918) by Christopher Natzén
Appendicies
Appendix B. Cast of Knocknagow (1918)
Appendix E. Publicity Materials
Appendix F. Film Company of Ireland filmography
Appendix G. Typescript of Knock-na-gow, or The Homes of Tipperary with manuscript annotations
Reviews
Larger than Life: Movie Stars of the 1950s by Anne BerkeHistory By Hollywood by Claudia CalhounFilm Theory: An Introduction through the Senses by Felicity CollinsMichelangelo Red Antonioni Blue: Eight Reflections on Cinema by Laurie N. EdeSaving Cinema: The Politics of Preservation by Ray EdmondsonHistorical Dictionary of American Cinema by Anthony FonsecaThe Dark Mirror: Psychiatry and Film Noir by Jack GarnerD.A Pennebaker by Stephen GaunsonBadiou and Cinema by Christian GelderTechnologies of History: Visual Media and the Eccentricity of the Past by Mas GenerisA Little Solitaire: John Frankenheimer and American Film by Nicholas GodfreyJe t’aime…moi non plus: Franco-British cinematic relations by Mary HarrodNicholas Ray: An American Journey by D.B. JonesCold War Femme: Lesbianism, National Identity, and Hollywood Cinema by Dion KaganMike Leigh by Brian McFarlaneKnockout: The Boxer and Boxing in American Cinema by Josh NelsonMinding Movies: Observations on the art, craft, and business of filmmaking by Tom O′ReganBelow the Line: Producers and Production Studies in the New Television Economy by Andrew SpicerScience Fiction Film, Television, and Adaptation: Across the Screens by Ryan TaylorFantastic Voyages of the Cinematic Imagination: George Méliès’s Trip to the Moon by Mike WalshPost-Classical Cinema: An International Poetics of Film Narration by Lauren Bliss