Uploaded 10 August, 2011.
This Special Issue is guest edited by Adrian Martin and incorporates U-matic to YouTube, a selection of papers from the National Symposium celebrating three decades of Australian Indigenous Community Filmmaking edited by Therese Davis.
Turn the Page: From Mise en scène to Dispositif by Adrian MartinCinema, Disappearance and Scale in David Lynch’s Inland Empire by Jodi BrooksThe Colour of Nothing: Contemporary Video Art, SF and the Postmodern Sublime by Andrew FrostThéâtre du Soleil Meets the Cinema: Acting and Mask Work in Ariane Mnouchkine’s Molière by Laura SavaCapital and Co.: Kluge/Eisenstein/Marx by Julia Vassilieva
Dossier: U-matic to YouTube
“Working in Communities, Connecting with Culture”: Reflecting on U-matic to YouTube A National Symposium Celebrating Three Decades of Australian Indigenous Community Filmmaking by Therese Davis and Romaine Moreton“These Are The Choices We Make”: Animating Saltwater Country by John Bradley, Graham Friday, Amanda Kearney and Leonard NormanTwo Laws: A Filmmaking Journey by Alessandro Cavadini and Carolyn StrachanWas Two Laws Experimental? by Stephen MueckeStory, Film Style and Cross-cultural Collaboration in Aeroplane Dance (1994) by Trevor GrahamAeroplane Dance: Whose Story? by Maryrose Casey and John BradleyModels of Collaboration in the Making of Ten Canoes (2006) by Nancy E. WrightDarlene Johnson on Making Films in Arnhem Land by Therese DavisVictorian Indigenous Communities and Digital Storytelling by Jason Eades, Helen Simondson and Kimba ThompsonThe Farm (2009) and Indigenous Remembrance by Romaine Moreton
Classics and Re-runs
Incomparable Bodies by Nicole Brenez
Technics and Time, 3: Cinematic Time and the Question of Malaise, Bernard Stiegler by Daniel RossMaking Settler Cinemas: Film and Colonial Encounters in the United States, Australia and New Zealand, Peter Limbrick by Deane WilliamsCold War Captives: Imprisonment, Escape, and Brainwashing, Susan L. Carruthers by Gabrielle MurrayDiasporas of Australian cinema, Catherine Simpson, Renata Murawska, Anthony Lambert (eds) by Ina BertrandThe Living and the Undead, Gregory A. Waller by Michael GrantDancing Ledge / Kicking the Pricks, Derek Jarman by Niall RichardsonCinematic Cold War: The American and Soviet Struggle for Hearts and Minds, Tony Shaw and Denise J. Youngblood by Regina LongoIsraeli Cinema: East/West and the Politics of Representation, Ella Shohat by Seyda Aylin GursesThe Quay Brothers: Into a Metaphysical Playroom, Suzanne Buchan by Mihaela MihailovaCrash: Cinema and the Politics of Speed and Stasis, Karen Beckman by Thomas Salek