Uploaded 10 August, 2011.
This Special Issue is guest edited by Adrian Martin and incorporates U-matic to YouTube, a selection of papers from the National Symposium celebrating three decades of Australian Indigenous Community Filmmaking edited by Therese Davis.
First Release
Turn the Page: From Mise en scène to Dispositif by Adrian Martin
Cinema, Disappearance and Scale in David Lynch’s Inland Empire by Jodi Brooks
The Colour of Nothing: Contemporary Video Art, SF and the Postmodern Sublime by Andrew Frost
Théâtre du Soleil Meets the Cinema: Acting and Mask Work in Ariane Mnouchkine’s Molière by Laura Sava
Capital and Co.: Kluge/Eisenstein/Marx by Julia Vassilieva
Dossier: U-matic to YouTube
“Working in Communities, Connecting with Culture”: Reflecting on U-matic to YouTube A National Symposium Celebrating Three Decades of Australian Indigenous Community Filmmaking by Therese Davis and Romaine Moreton
“These Are The Choices We Make”: Animating Saltwater Country by John Bradley, Graham Friday, Amanda Kearney and Leonard Norman
Two Laws: A Filmmaking Journey by Alessandro Cavadini and Carolyn Strachan
Was Two Laws Experimental? by Stephen Muecke
Story, Film Style and Cross-cultural Collaboration in Aeroplane Dance (1994) by Trevor Graham
Aeroplane Dance: Whose Story? by Maryrose Casey and John Bradley
Models of Collaboration in the Making of Ten Canoes (2006) by Nancy E. Wright
Darlene Johnson on Making Films in Arnhem Land by Therese Davis
Victorian Indigenous Communities and Digital Storytelling by Jason Eades, Helen Simondson and Kimba Thompson
The Farm (2009) and Indigenous Remembrance by Romaine Moreton
Classics and Re-runs
Incomparable Bodies by Nicole Brenez
Reviews
Technics and Time, 3: Cinematic Time and the Question of Malaise, Bernard Stiegler by Daniel Ross
Making Settler Cinemas: Film and Colonial Encounters in the United States, Australia and New Zealand, Peter Limbrick by Deane Williams
Cold War Captives: Imprisonment, Escape, and Brainwashing, Susan L. Carruthers by Gabrielle Murray
Diasporas of Australian cinema, Catherine Simpson, Renata Murawska, Anthony Lambert (eds) by Ina Bertrand
The Living and the Undead, Gregory A. Waller by Michael Grant
Dancing Ledge / Kicking the Pricks, Derek Jarman by Niall Richardson
Cinematic Cold War: The American and Soviet Struggle for Hearts and Minds, Tony Shaw and Denise J. Youngblood by Regina Longo
Israeli Cinema: East/West and the Politics of Representation, Ella Shohat by Seyda Aylin Gurses
The Quay Brothers: Into a Metaphysical Playroom, Suzanne Buchan by Mihaela Mihailova
Crash: Cinema and the Politics of Speed and Stasis, Karen Beckman by Thomas Salek
