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Issue 17 – First Release

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  2. Issue 17 – First Release

Esfir Shub and the Film Factory-Archive: Soviet documentary from 1925-1928

  • Post author:Joshua Malitsky
  • Post published:December 30, 2014
  • Post category:Issue 17 - First Release

From the pre-Revolutionary period in Russia through January 1936, Soviet film studios were known as “film factories” (kinofabriki). Leftist theorists and filmmakers such as Viktor Shklovsky, Dziga Vertov, and Esfir…

Continue ReadingEsfir Shub and the Film Factory-Archive: Soviet documentary from 1925-1928

Jean Rouch’s Ciné-Ethnography: at the conjunction of research, poetry and politics

  • Post author:Lorraine Mortimer
  • Post published:December 30, 2014
  • Post category:Issue 17 - First Release

Looking back at it, I think that we had a crazy chance to live through a crazy time. Everything that my generation learned during the previous twenty years was revealed…

Continue ReadingJean Rouch’s Ciné-Ethnography: at the conjunction of research, poetry and politics

The energy of disappearing: problems of recycling Nazi amateur film footage

  • Post author:Frances Guerin
  • Post published:December 30, 2014
  • Post category:Issue 17 - First Release

The fragment, as fragments, tends to dissolve the totality which it presupposes and which it carries off toward the dissolution from which it does not (properly speaking) form, but to…

Continue ReadingThe energy of disappearing: problems of recycling Nazi amateur film footage

The photoplay as emergent media form: Victor O. Freeburg and Vachel Lindsay on photoplay aesthetics

  • Post author:Steven Maras
  • Post published:December 30, 2014
  • Post category:Issue 17 - First Release

It is a commonplace in discussions of new media to find a link being made between new media and cinema. Usually this link amounts to an observation that just as…

Continue ReadingThe photoplay as emergent media form: Victor O. Freeburg and Vachel Lindsay on photoplay aesthetics

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