Johannes Ehrat, Cinema and Semiotic: Peirce and Film Aesthetics, Narration, and Representation. Toronto studies in semiotics and communication. Toronto, Buffalo, and London: University of Toronto Press, 2005. ISBN: 0 8020…
Julianne Pidduck, Contemporary Costume Film: Space, Place and the Past. London: BFI, 2004. ISBN: 1 84457 054 1 188pp US$27.50 (pb) (Review copy supplied by BFI Publishing) Costume film is…
David C. Gillespie, Russian Cinema. Inside Film Series. Harlow, Eng., London: Longman, Pearson Education, 2003. ISBN: 0 582 43790 3 201pp US$11.95 (pb) Russian cinema, though represented often by the…
Alexandra Juhasz (ed.), Women of Vision: Histories in Feminist Film and Video. Visible Evidence, vol. 9. Minneapolis and London: University of Minnesota Press, 2001. ISBN: 0 8166 3372 X 343pp…
Joe Milutis, Ether: The Nothing that Connects Everything. Minneapolis and London: University of Minnesota Press, 2006. ISBN: 0 8166 4644 9 208 pp. US$ 29.95 (hb) (Review copy supplied by…
Irving Singer, Reality Transformed: Film as Meaning and Technique. Cambridge, Mass. & London: The MIT Press, 1998. 216pp US$18.95 (pb) (Review copy supplied by The MIT Press) According to Singer,…