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    • Issue 29: Special Issue: Cinema & Photography: Beyond Representation
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Author: Gino Moliterno

This author has written 5 articles
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Cinematic Intertextuality and Comic Allusion in Giorgio Mangiamele’s Ninety Nine Per Cent

  • Post author:Gino Moliterno
  • Post published:January 4, 2015
  • Post category:Issue 27 - First Release

After rating little more than a curt mention in Australian cinema histories for several decades, Giorgio Mangiamele’s status as a pioneer of the Australian cinema has more recently come to…

Continue ReadingCinematic Intertextuality and Comic Allusion in Giorgio Mangiamele’s Ninety Nine Per Cent

Zarathustra’s gift in Tarkovsky’s The Sacrifice

  • Post author:Gino Moliterno
  • Post published:December 23, 2014
  • Post category:Issue 12 - First Release

Uploaded 1 March 2001 Tarkovsky with a photograph of the house from The Sacrifice not the foreknowledge of death but the project of seeing conscious life rescued from death defines and…

Continue ReadingZarathustra’s gift in Tarkovsky’s The Sacrifice

Stupendous, Miserable City: Pasolini’s Rome

  • Post author:Gino Moliterno
  • Post published:January 3, 2015
  • Post category:Issue 23 - Reviews

John David Rhodes, Stupendous, Miserable City: Pasolini’s Rome. Minneapolis, University of Minnesota Press, 2007. ISBN-13: 978-0-8166-4930-3 US$20.00 (pb) 240pp (Review copy supplied by University of Minnesota Press) Pasolini was born…

Continue ReadingStupendous, Miserable City: Pasolini’s Rome

The Cinema of Economic Miracles: Visuality and Modernization in the Italian Art Film

  • Post author:Gino Moliterno
  • Post published:December 30, 2014
  • Post category:Issue 15 - Reviews

Angelo Restivo, The Cinema of Economic Miracles: Visuality and Modernization in the Italian Art Film. Duke University Press, Durham and London, 2002 ISBN 0 8223 2799 6 212 pp US$18.95…

Continue ReadingThe Cinema of Economic Miracles: Visuality and Modernization in the Italian Art Film

Giorgio Mangiamele’s Clay and the Beginnings of Art Cinema in Australia

  • Post author:Gino Moliterno
  • Post published:November 2, 2011
  • Post category:Issue 32 - First Release

“Clay…the least commercial work ever made in the history of cinema.”[1] Almost two decades ago Graeme Cutts quite rightly characterised Giorgio Mangiamele as “one of the forgotten directors of the…

Continue ReadingGiorgio Mangiamele’s Clay and the Beginnings of Art Cinema in Australia

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