Author Archive for: ‘Caryl Flinn’

Sound, Woman and the Bomb: Dismembering the “great whatsit” in Kiss Me Deadly

Uploaded 30 June 2000 The Fifties surely exist as one of film scholarship’s more intriguing and overdetermined sites. This period is routinely constructed as a hotbed of (choose one): political paranoia, fear of atomic annihilation, anti-communist hysteria and Eisenhowerian complacency, conditions which have been repeatedly “read off” a number of Fifties films. Some genres, of course, have become more susceptible …

Read More